KSE-100 index surges 4.03%, gains over 4,400 points KARACHI: After days of jaw-dropping declines, the stock market started the week with an unexpected recovery, marked by a 4.03 per cent surge in the KSE-100 index, closing at 113,924.42 points. Karim Punjani, ex equities and treasury fund manager, said that the [market] was oversold, calling the surge a “quick and significant correction”.The Pakistan Stock Exchange’s (PSX) benchmark KSE-100 index gained 4,411.27 points to close at 113,924.42 points compared to 109,513.15 points in the previous session. During the day, the index touched a high of 114,189.72 points and a low of 110,891.36 points. The KSE-30 index also posted significant gains, rising by 1,530.5 points or 4.43 per cent to close at 36,043.9 points.According to Shankar Talreja, director research at Topline Securities, the market recorded the second highest points-based gain in history primarily on the back of conversion to equities as returns on fixed income decline. Market turnover increased, with traded shares in the ready market rising to 857.83 million from 754.91 million in the previous session. However, the trading value surged significantlyto Rs50.55 billion from Rs39.42 billion. Market capitalisation improved to Rs14.45 trillion from Rs13.96 trillion. Of the 463 companies active in the session, 361 closed in green, 62 in red and 40 remained unchanged. Analysing the PSX’s performance, former adviser to the Minister of Finance Dr Khaqan Najeeb said: “the market recovered ... driven by a hope that the selling by mutual funds is now done.” He said that a “decline in fixed income yields have made equities increasingly attractive.” On the political front, Monday brought some hopeful news. The Pakistan Tehreek-e-Insaf (PTI) and the government held their much-anticipated dialogue. According to a report by Geo.tv, the meeting, as per a press release, was held in a conducive environment and both sides agreed to hold further negotiations. An analyst covering GCC markets, who spoke on the condition of anonymity, said that “although it is too early to price that in. I think politics did play a role in today’s rebound where both the government and the opposition sit together for the first time -- a move that signals some political certainty.” Najeeb echoed these sentiments and added that the “decline in political temperature and the ongoing negotiations also gave hope and confidence to investors to invest in the market.”Adding more on the performance, Punjani added that “value hunting was witnessed” in the market. Ali Najib, head of sales at Insight Securities, said “the buying pattern and market vibes suggested that mutual funds again are aggressive buyers, thanks to conversion from fixed income to equity funds and fresh flow they received on Friday and Monday.”He also highlighted the sectors driving the rally. “Fertiliser, [oil marketing companies] OMCs and E&P led the show [on Monday] with notable stocks such as OGDC, Eng ro, FFC, PSO and DAWH contributing significantly to the index’s movement, adding a combined 1,554 points positively,” he said. WorldCall Telecom remained the volume leader with 71.05 million shares traded, closing at Rs1.72 per share, up 12 paisas. Cnergyico PK followed with 66.47 million shares, closing higher by 88 paisas at Rs6.79 per share. Pak Elektron saw a turnover of 38.65 million shares, closing at Rs40.73 per share, up Rs1.94. Meanwhile, Reliance Cotton Spinning Mills and Rafhan Maize Products led the gainers’ list, with their share prices rising by Rs69 and Rs59.87, respectively. On the flip side, Unilever Pakistan Foods Limited recorded the sharpest decline, dropping by Rs299.8 to close at Rs21,100 per share. In the futures market, 303 companies recorded trading, 280 of which increased and 23 decreased.In 2024, Pakistan’s stock market beat bonds, gold and the US dollar, largely due to economic reforms initiated by the IMF programme and a reduction in interest rates, which redirected local liquidity into equities, according to a report from Topline Securities released on Saturday. Analysts see the market to continue its upward trajectory in CY2025 as well. In its recently released report, brokerage firm AKD Securities Limited projects the market to reach 165,215 by December 2025.The hunt for UnitedHealthcare CEO's elusive killer yields new evidence, but few answers
By ALI SWENSON and BARARA ORTUTAY Bluesky has seen its user base soar since the U.S. presidential election, boosted by people seeking refuge from Elon Musk’s X, which they view as increasingly leaning too far to the right given its owner’s support of President-elect Donald Trump, or wanting an alternative to Meta’s Threads and its algorithms. The platform grew out of the company then known as Twitter, championed by its former CEO Jack Dorsey. Its decentralized approach to social networking was eventually intended to replace Twitter’s core mechanic . That’s unlikely now that the two companies have parted ways. But Bluesky’s growth trajectory — with a user base that has more than doubled since October — could make it a serious competitor to other social platforms. But with growth comes growing pains. It’s not just human users who’ve been flocking to Bluesky but also bots, including those designed to create partisan division or direct users to junk websites. The skyrocketing user base — now surpassing 25 million — is the biggest test yet for a relatively young platform that has branded itself as a social media alternative free of the problems plaguing its competitors. According to research firm Similarweb, Bluesky added 7.6 million monthly active app users on iOS and Android in November, an increase of 295.4% since October. It also saw 56.2 million desktop and mobile web visits, in the same period, up 189% from October. Besides the U.S. elections, Bluesky also got a boost when X was briefly banned in Brazil . “They got this spike in attention, they’ve crossed the threshold where it is now worth it for people to flood the platform with spam,” said Laura Edelson, an assistant professor of computer science at Northeastern University and a member of Issue One’s Council for Responsible Social Media. “But they don’t have the cash flow, they don’t have the established team that a larger platform would, so they have to do it all very, very quickly.” To manage growth for its tiny staff, Bluesky started as an invitation-only space until it opened to the public in February. That period gave the site time to build out moderation tools and other distinctive features to attract new users , such as “starter packs” that provide lists of topically curated feeds. Meta recently announced that it is testing a similar feature. Compared to the bigger players like Meta’s platforms or X, Bluesky has a “quite different” value system, said Claire Wardle, a professor at Cornell University and an expert in misinformation. This includes giving users more control over their experience. “The first generation of social media platforms connected the world, but ended up consolidating power in the hands of a few corporations and their leaders,” Bluesky said on its blog in March. “Our online experience doesn’t have to depend on billionaires unilaterally making decisions over what we see. On an open social network like Bluesky, you can shape your experience for yourself.” Because of this mindset, Bluesky has achieved a scrappy underdog status that has attracted users who’ve grown tired of the big players. “People had this idea that it was going to be a different type of social network,” Wardle said. “But the truth is, when you get lots of people in a place and there are eyeballs, it means that it’s in other people’s interests to use bots to create, you know, information that aligns with their perspective.” Little data has emerged to help quantify the rise in impersonator accounts, artificial intelligence-fueled networks and other potentially harmful content on Bluesky. But in recent weeks, users have begun reporting large numbers of apparent AI bots following them, posting plagiarized articles or making seemingly automated divisive comments in replies. Lion Cassens, a Bluesky user and doctoral candidate in the Netherlands, found one such network by accident — a group of German-language accounts with similar bios and AI-generated profile pictures posting in replies to three German newspapers. “I noticed some weird replies under a news post by the German newspaper ‘Die Ziet,’” he said in an email to The Associated Press. “I have a lot of trust in the moderation mechanism on Bluesky, especially compared to Twitter since the layoffs and due to Musk’s more radical stance on freedom of speech. But AI bots are a big challenge, as they will only improve. I hope social media can keep up with that.” Cassens said the bots’ messages have been relatively innocuous so far, but he was concerned about how they could be repurposed in the future to mislead. There are also signs that foreign disinformation narratives have made their way to Bluesky. The disinformation research group Alethea pointed to one low-traction post sharing a false claim about ABC News that had circulated on Russian Telegram channels. Copycat accounts are another challenge. In late November, Alexios Mantzarlis, director of the Security, Trust and Safety Initiative at Cornell Tech, found that of the top 100 most followed named individuals on Bluesky, 44% had at least one duplicate account posing as them. Two weeks later, Mantzarlis said Bluesky had removed around two-thirds of the duplicate accounts he’d initially detected — a sign the site was aware of the issue and attempting to address it. Bluesky posted earlier this month that it had quadrupled its moderation team to keep up with its growing user base. The company also announced it had introduced a new system to detect impersonation and was working to improve its Community Guidelines to provide more detail on what’s allowed. Because of the way the site is built, users also have the option to subscribe to third-party “Labelers” that outsource content moderation by tagging accounts with warnings and context. The company didn’t respond to multiple requests for comment for this story. Even as its challenges aren’t yet at the scale other platforms face, Bluesky is at a “crossroads,” said Edward Perez, a board member at the nonpartisan nonprofit OSET Institute, who previously led Twitter’s civic integrity team. “Whether BlueSky likes it or not, it is being pulled into the real world,” Perez said, noting that it needs to quickly prioritize threats and work to mitigate them if it hopes to continue to grow. That said, disinformation and bots won’t be Bluesky’s only challenges in the months and years to come. As a text-based social network, its entire premise is falling out of favor with younger generations. A recent Pew Research Center poll found that only 17% of American teenagers used X, for instance, down from 23% in 2022. For teens and young adults, TikTok, Instagram and other visual-focused platforms are the places to be. Political polarization is also going against Bluesky ever reaching the size of TikTok, Instagram or even X. “Bluesky is not trying to be all things to all people,” Wardle said, adding that, likely, the days of a Facebook or Instagram emerging where they’re “trying to keep everybody happy” are over. Social platforms are increasingly splintered along political lines and when they aren’t — see Meta’s platforms — the companies behind them are actively working to de-emphasize political content and news. The Associated Press receives support from several private foundations to enhance its explanatory coverage of elections and democracy. See more about AP’s democracy initiative here . The AP is solely responsible for all content.
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Global Commercial Real Estate (CRE) Software Market Size, Share and Forecast By Key Players-Brokermint,CoStar,Tranquil CRM,Altus Group,Buildout 12-23-2024 07:52 PM CET | Advertising, Media Consulting, Marketing Research Press release from: Market Research Intellect Commercial Real Estate (CRE) Software Market USA, New Jersey- According to the Market Research Intellect, the global Commercial Real Estate (CRE) Software market is projected to grow at a robust compound annual growth rate (CAGR) of 12.5% from 2024 to 2031. Starting with a valuation of 10.11 Billion in 2024, the market is expected to reach approximately 20.5 Billion by 2031, driven by factors such as Commercial Real Estate (CRE) Software and Commercial Real Estate (CRE) Software. This significant growth underscores the expanding demand for Commercial Real Estate (CRE) Software across various sectors. The Commercial Real Estate (CRE) software market has experienced significant growth due to the increasing complexity of managing commercial properties and the demand for more efficient operations. As businesses look to streamline property management, leasing, and investment processes, CRE software provides essential tools for data analysis, reporting, and portfolio management. The integration of advanced technologies such as Artificial Intelligence (AI), Big Data, and cloud computing has further enhanced the capabilities of CRE software, allowing for better decision-making, predictive analytics, and real-time updates. Additionally, the market is driven by the growing trend of digitization in real estate, with property owners, brokers, and investors adopting digital solutions to improve efficiency and reduce operational costs. With the real estate sector's continued expansion, the CRE software market is set to continue growing, enabling companies to enhance productivity and stay competitive. The dynamics of the Commercial Real Estate (CRE) software market are influenced by technological advancements and shifting industry needs. Key drivers include the increasing demand for data-driven insights, as businesses seek to optimize asset management and investment decisions. AI and machine learning are playing a significant role in improving property valuation, market forecasting, and tenant relationship management. Additionally, cloud-based CRE software is gaining traction, offering scalability, flexibility, and cost-efficiency for companies of all sizes. The rise of mobile applications and digital platforms further enhances customer engagement and operational efficiency. However, challenges such as the complexity of integrating new software with existing systems and the high upfront costs of implementation may pose obstacles for some businesses. Despite these challenges, the market's continued digital transformation and the demand for smarter real estate solutions are expected to drive ongoing growth. Request PDF Sample Copy of Report: (Including Full TOC, List of Tables & Figures, Chart) @ https://www.marketresearchintellect.com/download-sample/?rid=10410280&utm_source=OpenPr&utm_medium=049 Key Drivers: The growth of the Commercial Real Estate (CRE) Software market is driven by several key factors. Technological advancements in Commercial Real Estate (CRE) Software have enabled greater efficiency and enhanced capabilities, spurring adoption across industries. Additionally, the rising demand for sustainable and eco-friendly solutions is pushing companies to innovate and adopt greener practices. Expanding applications in sectors like Commercial Real Estate (CRE) Software and Commercial Real Estate (CRE) Software are further contributing to market demand, as these industries seek advanced solutions to streamline operations and enhance product quality. Favorable government policies and incentives in regions such as North America, Europe, and Asia-Pacific support investment and growth. Moreover, an increasing focus on Commercial Real Estate (CRE) Software for improving operational efficiency and cost-effectiveness is encouraging businesses to embrace new technologies, fostering sustained market expansion. Mergers and Acquisitions Mergers and acquisitions (M&A) play a pivotal role in the Commercial Real Estate (CRE) Software market, as companies look to expand their capabilities, access new technologies, and strengthen market presence. Leading players engage in strategic acquisitions to consolidate their position and gain a competitive edge. These transactions often facilitate the integration of advanced Commercial Real Estate (CRE) Software solutions, helping firms broaden their product portfolios and meet growing customer demands. Additionally, M&A activities support companies in achieving economies of scale and penetrating new regional markets, particularly in high-growth areas like Asia-Pacific. Through such strategic alliances, businesses aim to accelerate innovation, enhance operational efficiency, and address evolving market challenges, ultimately driving the overall growth of the Commercial Real Estate (CRE) Software market. Get a Discount On The Purchase Of This Report @ https://www.marketresearchintellect.com/ask-for-discount/?rid=10410280&utm_source=OpenPr&utm_medium=049 The following Key Segments Are Covered in Our Report By Type Cloud Based On-premises By Application Broker Investor/Appraiser Property Manager Major companies in Commercial Real Estate (CRE) Software Market are: Brokermint,CoStar,Tranquil CRM,Altus Group,Buildout,MRI Software,Apto,REthink,PropertyMetrics,Oracle,AscendixRE,Ascendix Technologies,ClientLook,CommissionTrac,Realhound,Sell.Do,Forbury,VTS,SharpLaunch,Reonomy,ARGUS,Quarem,Valcre,Affinity.co Global Commercial Real Estate (CRE) Software Market -Regional Analysis North America: North America is expected to hold a significant share of the Commercial Real Estate (CRE) Software market due to advanced technological infrastructure and the presence of major market players. High demand across sectors like Commercial Real Estate (CRE) Software and Commercial Real Estate (CRE) Software is driving growth, with the U.S. being a key contributor. Additionally, ongoing investments in R&D and innovation reinforce the region's strong market position. Europe: Europe is projected to experience steady growth, driven by stringent regulatory standards and a rising focus on sustainability in Commercial Real Estate (CRE) Software practices. Countries like Germany, France, and the UK are leading due to their advanced industrial base and supportive government policies. The demand for eco-friendly and efficient Commercial Real Estate (CRE) Software solutions is expected to continue fostering market expansion. Asia-Pacific: Asia-Pacific is anticipated to be the fastest-growing region, fueled by rapid industrialization and urbanization. Countries such as China, India, and Japan are driving demand due to expanding consumer bases and increasing investments in infrastructure. The region's robust manufacturing sector and favorable economic policies further enhance growth opportunities in the Commercial Real Estate (CRE) Software market. Latin America: Latin America and the Middle East & Africa are expected to show moderate growth in the Commercial Real Estate (CRE) Software market. In Latin America, growth is supported by rising industrial activities in countries like Brazil and Mexico. Meanwhile, in the Middle East & Africa, infrastructure development and an increasing focus on innovation in sectors like Commercial Real Estate (CRE) Software are key drivers of market expansion. Middle East and Africa: The Middle East and Africa represent emerging markets in the global Commercial Real Estate (CRE) Software market, with countries like UAE, Saudi Arabia, South Africa, and Nigeria showing promising growth potential. Economic diversification efforts, urbanization, and a young population are driving demand for Commercial Real Estate (CRE) Software products and services in the region. Frequently Asked Questions (FAQ) 1. What is the current size of the Commercial Real Estate (CRE) Software market? Answer: The Commercial Real Estate (CRE) Software market was valued at approximately 10.11 Billion in 2024, with projections suggesting it will reach 20.5 Billion by 2031, growing at a CAGR of 12.5%. 2. What factors are driving the growth of the Commercial Real Estate (CRE) Software market? Answer: The market's expansion is attributed to several factors, including increased demand for Commercial Real Estate (CRE) Software, advancements in Commercial Real Estate (CRE) Software technology, and the adoption of Commercial Real Estate (CRE) Software across various sectors. 3. Which regions are expected to dominate the Commercial Real Estate (CRE) Software market? Answer: Regions such as North America, Europe, and Asia-Pacific are anticipated to lead due to the presence of major industry players and growing investments in Commercial Real Estate (CRE) Software. 4. Who are the key players in the Commercial Real Estate (CRE) Software market? Answer: Prominent companies in the Commercial Real Estate (CRE) Software market include Commercial Real Estate (CRE) Software, Commercial Real Estate (CRE) Software, and Commercial Real Estate (CRE) Software, each contributing to market growth through innovations and strategic partnerships. 5. What challenges does the Commercial Real Estate (CRE) Software market face? Answer: The market faces challenges such as Commercial Real Estate (CRE) Software, regulatory compliance, and competition from alternative solutions. However, ongoing advancements aim to address these issues. 6. What are the future trends in the Commercial Real Estate (CRE) Software market? Emerging trends include the integration of Commercial Real Estate (CRE) Software technology, sustainability practices, and digital transformation in processes, all expected to shape the market's future. 7. How can businesses benefit from the Commercial Real Estate (CRE) Software market? Answer: Businesses can leverage growth opportunities in the Commercial Real Estate (CRE) Software market by adopting new solutions, enhancing operational efficiency, and expanding their offerings to meet evolving consumer demands. 8. Why invest in a Commercial Real Estate (CRE) Software market report from MRI? Answer: MRI's report provides in-depth analysis, future projections, and key insights to support strategic decision-making, enabling businesses to stay competitive and capitalize on growth trends in the Commercial Real Estate (CRE) Software market. 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There are calls for urgent action in Alice Springs after a man allegedly broke into a home at the weekend and raped a woman while she was sleeping. Police said they had arrested a 22-year-old-man over the incident on Saturday night. “The Joint Emergency Services Communication Centre received a call at 10:17pm informing police that a 29-year-old woman had been sexually assaulted by an unknown male in her Eastside residence while asleep,” NT police said in a statement. “The victim woke during the offending and screamed, which alerted other members of the residence and the man fled the area in a vehicle. “General duties, Operation Ludlow, and Duty Crew officers responded to the call and established a crime scene. “Soon after a vehicle of interest was identified and apprehended on Gap Road with the alleged offender fleeing on foot. “Following a foot pursuit the 22 -year-old male alleged offender was arrested on Traeger Avenue at 10:39pm. “The man remains in custody with charges expected to be laid later today.” Alice Springs locals say crime has been escalating in recent weeks. The summer months traditionally see an increase in crime rates in Alice Springs. Sky News has been made aware of another incident early on Tuesday morning where an elderly couple were robbed by a group of teenagers who invaded their home. A man aged in his 90s and a woman aged in her 80s were woken up about 4am to find teenagers shining torches in their faces. It’s understood the elderly man chased the intruders away but they stole personal items from the home. Action for Alice founder Darren Clark called on the new CLP Government to take action, saying it had no plan to deal with the summer crime wave. “We have pleaded for help. The new Chief Minister is silent on Alice Springs, totally silent,” Mr Clark wrote on his Facebook page. “So Lia Finocchiaro put yourself in the position of our elderly and female residents who live in fear every day.” Ms Finocchiaro was unavailable for comment when we contacted her office on Sunday afternoon. However, the Government released a statement on Friday afternoon saying police were undertaking a crackdown in Alice Springs. It said police had launched Operation Ludlow on November 14, combing high-visibility patrols, enforcement in crime hotspots and collaboration with other government agencies. There had been 77 arrests and 22 infringement notices issues for nuisance public drinking, following new public drinking laws introduced by the CLP Government. “Our government is getting on with the job and delivering a response which prioritises public safety, addresses community concerns to reduce anti-social behaviour, property offence and personal crime in Alice Springs,” Treasurer Bill Yan said.Noodles and wine are the secret ingredients for a strange new twist in China's doping saga
NoneThe immediate past group managing director of FBN Holdings Plc, Urum Eke, recently celebrated his 60th birthday in Lagos with a book launch. It was a great time as family members, friends, and well-wishers poured praise on the man who has dedicated his life to impacting people around him and making a life-changing influence. All roads led to Ikoyi, Lagos, the venue of the event. Welcoming him to the 6th floor, goodwill messages poured in, and the auditorium was full of praises and eulogies for a selfless man who made a remarkable difference in all spheres of his life—at work, family, friends, colleagues, and the less fortunate. It was a twins event—the celebration of life and the launch of a book which revealed the applaudable journey of Eke. Reviewing the book ‘IMPACT – A Life of Urum Kalu Eke, the chief reviewer, Mr. Olufemi Awoyemi, expressed that the essence of the well-written non-fiction book is felt through its underlying message. He noted that the knowledge-embedded book encapsulates the last sixty years of the celebrant under four impact areas: personal life, professional journey, people/community, and practised faith. “The book’s title is simple but intriguing and captures the essence of a man known for his professionalism, rigour, and ‘impact’ on matters he chooses to handle. “UK,” as he is popularly called, has fought many a battle in the trenches of Nigeria’s gripping financial service industry. Like his Abiribaforbearers, he has sumo-wrestled social prejudice, kickboxed professional incompetence, and shoulder-blocked organisational drift,’’ he said.
From the editors and writers of Food & Wine Magazine . Want to win Thanksgiving dinner? Make this spatchcocked roast turkey, which is perfectly juicy, incredibly crispy, and deliciously flavorful. Recipe developer Ann Taylor Pittman rubs the meat beneath the skin with a combination of dried ginger, salt, and white pepper for an overnight dry-brine that seasons and promotes moist, tender meat. Spatchcocking the bird is a time-saving approach to roast turkey that any busy holiday cook will appreciate for the oven time it frees up, compared to a traditional whole roast turkey. The method also allows the turkey to cook more evenly. A blend of butter and toasted sesame oil brings a rich, nutty, and burnished finish to the bird. The toasted sesame oil in the butter mixture deepens the roasted "brown" flavor of the skin, while the white pepper and ginger lend subtle hints of spice to the meat. Sesame-Ginger Spatchcocked Turkey By Ann Taylor Pittman Active Time: 25 mins. Chill Time: 1 day Total Time: 1 day 2 hrs. 55 mins. Servings: 12 Ingredients: 1 (12-pound) whole fresh turkey 3 tablespoons kosher salt 2 teaspoons ground ginger 1 1/2 teaspoons white pepper 2 medium-size yellow onions, coarsely chopped (about 3 1/2 cups) 2 large carrots, coarsely chopped (about 1 cup) 2 large celery stalks, coarsely chopped (about 1 cup) 6 tablespoons unsalted butter (3 ounces), softened 1 tablespoon toasted sesame oil Instructions: Step 1: Pat turkey dry using paper towels; place turkey, breast side down, on a cutting board. Using kitchen shears, cut along either side of backbone to separate backbone from turkey. Discard backbone, or reserve for making stock. Flip turkey breast side up. Using the heels of your hands, firmly press down against breastbone until it cracks and turkey flattens. Arrange turkey breast side up on a wire rack, and place rack inside an 18- x 13-inch rimmed baking sheet; tuck wing tips underneath turkey. Loosen turkey skin from breast, thighs, and drumsticks by sliding your fingers underneath the skin. Stir together salt, ginger, and white pepper in a small bowl. Rub two-thirds of the salt mixture (about 2 1/2 tablespoons) evenly beneath skin of breast, thighs, and drumsticks; rub remaining salt mixture (about 1 tablespoon) over wings and skin of breast, thighs, and drumsticks. Refrigerate, uncovered, for 24 hours. Step 2: Remove turkey from refrigerator; let stand at room temperature for 1 hour. Arrange onions, carrots, and celery in bottom of a second rimmed baking sheet. Place turkey on an oven-safe wire rack, and set over vegetables on baking sheet. Step 3: Preheat oven to 450°F with oven rack in middle position. Stir together butter and sesame oil in a small bowl until thoroughly combined. Rub 2 to 3 teaspoons butter mixture over wings, and rub remaining butter mixture underneath turkey skin and over breast, thighs, and drumsticks. Step 4: Roast turkey in preheated oven until an instant-read thermometer inserted into center of thigh registers 185°F, breast registers 155°F, and skin is crispy and golden brown, 1 hour to 1 hour and 10 minutes. Tent turkey using aluminum foil during last 15 minutes of roasting if skin begins to get too dark. Remove turkey; let stand 30 minutes before carving. Originally appeared in Food & Wine magazine, November 2024. Notes Use a high-quality Korean sesame oil here; its flavor will be richer and nuttier without tasting artificial. Dry-brining (salting and seasoning the turkey and then allowing it to rest refrigerated and uncovered, for 24 hours) is easier and less messy than wet brining, but it achieves the same result — juicy, well-seasoned meat. It also yields crispier skin. In this recipe, a simple dry brine of salt, ginger, and white pepper is rubbed under and over the turkey skin. Make sure to let the turkey rest at room temperature for an hour before roasting. You don't want it going into the oven fridge-cold. Before you turn the oven on, test-fit the pan (with the turkey on it) to see exactly where you need to arrange the oven racks. If the turkey is too large for the sheet tray, tie the legs together so that it comfortably fits on the tray. Use a digital probe (leave-in) thermometer so you don't have to open the oven to check the turkey's temperature. Insert it in the meaty part of the thigh, making sure the tip doesn't hit bone and doesn't go all the way through. Once the turkey is done, let the bird sit for 30 minutes to allow the juices to settle before carving. FAQs What is spatchcocking? Think of spatchcocking as turning a 3D turkey into a 2D one. It involves cutting out the backbone and butterflying the bird so that it lies flat. It cooks the bird much more quickly — in less than an hour and a half. Because all the meat is on the same plane and is equally exposed to the heat, it cooks more evenly — there's no more breast meat overcooking as the thighs struggle to get done. And with all the skin on top of the bird, the entirety of it becomes wonderfully crisp. Finally, a spatchcocked bird takes up less vertical space, so you can accommodate more dishes on the other oven rack. How do you spatchcock a turkey? Turn the bird upside down so the backbone is facing up. Using heavy-duty poultry shears, cut along either side of the backbone to remove it. Turn the turkey over, breast side up, and press down firmly on the center of the breastbone until it cracks and the bird lies flat. (For more detail, see our step-by-step photos of how to spatchcock a turkey ). How long does it take to spatchcock a turkey? A spatchcocked turkey takes far less time to cook than a whole turkey. A 12-pound turkey that has been spatchcocked will cook in about one hour, whereas a 12-pound whole roast turkey will take nearly three hours to cook in the oven. What do you with the turkey backbone after spatchcocking? Don't throw out the backbone from a whole turkey! Save it to make turkey stock, which you can use for homemade gravy or soup. You can always freeze the bone for up to three months and reuse it when the holiday rush has subsided. Suggested pairing Try pairing a structured Barbera d'Alba, like Cascina Fontana, with this Thanksgiving main. Make ahead Allow the turkey to cool completely to room temperature before storing. Place leftovers in an airtight container, and store in the fridge for up to three days. For more info: Food & Wine Magazine Check out the "Sunday Morning" 2024 "Food Issue" recipe index Recipes
TORONTO — Canada's main stock index pushed higher to end Monday up almost 150 points on light trading action, while U.S. stock markets also gained ahead of the Christmas break. "Today is a quiet pre-Christmas Day of trading," said Kevin Burkett, a portfolio manager at Victoria, B.C.-based Burkett Asset Management. While markets in both Canada and the U.S. were mild, Burkett suggests watching the markets closely during the holiday season, a contrast to what's typically a sleepy period for markets. "We're continuing to watch markets very closely here because you've got some tectonic plate shifting in terms of the macroeconomic backdrop," he said. "It's all the political conversations both in Canada and in the U.S." Burkett added fiscal policy seems to be disconnected from monetary policy in the post-pandemic period. "The fiscal policy may shift and that shift absolutely has market implications both in the short and long term," he said. The S&P/TSX composite index was up 149.50 points at 24,748.98. Statistics Canada released its latest numbers on Canada's economic growth, up 0.3 per cent in October — driven by the mining, quarrying, and oil and gas extraction sector. The loonie continued its slide, trading for 69.47 cents US compared with 69.61 cents US on Friday. The telecom sector was the biggest loser at the closing on TSX, which Burkett attributed to "tax loss selling happening at the end of the year." Competition Bureau Canada announced on Monday it was suing Rogers Communications Inc. for allegedly making misleading claims about its infinite wireless plans. The stock price for Rogers, which is hovering near 52-week lows, fell 0.7 per cent on Monday. Meanwhile, BCE was down almost 1.4 per cent and Telus dropped 0.9 per cent. Burkett suggested the day's poor performance among telecom companies was likely tax loss selling since it's almost the end of the year. "It's been a tough year for the communication services sector," he said. South of the border, communications services was the top-performing sector, led by large-cap tech companies. Several big technology companies helped support the gains, including chip companies Nvidia and Broadcom. In New York, the Dow Jones industrial average was up 66.69 points at 42,906.95. The S&P 500 index was up 43.22 points at 5,974.07, while the Nasdaq composite was up 192.29 points at 19,764.89. The February crude oil contract was down 22 cents at US$69.24 per barrel and the February natural gas contract was down six cents at US$3.35 per mmBTU. The February gold contract was down US$16.90 at US$2,628.20 an ounce and the March copper contract was down one cent at US$4.09 a pound. This report by The Canadian Press was first published Dec. 23, 2024. Companies in this story: (TSX: GSPTSE, TSX: CADUSD, TSE: BCE, TSE: RCI. B) Ritika Dubey, The Canadian PressUConn, football coach Jim Mora agree to contract extension through 2028
Who: UNLV vs. New Mexico State When: 4 p.m. Saturday Where: Thomas & Mack Center TV: SSSEN (Cox 125) Radio: KWWN (1100 AM, 100.9 FM) About the Rebels (3-1): UNLV is coming off an 80-59 win over Pepperdine on Wednesday that saw five Rebels score in double figures. Guard Brooklyn Hicks led the team with 16 points off the bench, while point guard Dedan Thomas Jr. added 13 points and six assists. UNLV faced the Waves without forward Rob Whaley Jr. (back), guard Jaden Henley (foot) and guard Jace Whiting (foot) due to injuries. All three players did not participate in Tuesday’s practice, though Whaley did some exercises. Henley and Whiting were still using boots and scooters on the sideline Wednesday. Thomas leads the Rebels in points (16.8) and assists (3.8) per game this season. Forward Jeremiah “Bear” Cherry leads the team in rebounds (6.8) and blocks (1.5) per game. Saturday’s game counts as a “campus site game” ahead of the Arizona Tip-Off tournament next week in Tempe, Arizona. UNLV is in the “Cactus Division” of the event and will face Mississippi State on Thursday. The Rebels will play either Northwestern or Butler the following day. About the Aggies (3-1): This will be the first game between New Mexico State and UNLV since 1996. The Aggies will be looking to bounce back against the Rebels after falling to Dayton 74-53 on Wednesday for their first loss of the season. Forward Peter Filipovity led New Mexico State with 15 points in the loss and added seven rebounds. Guards Christian Cook and Zawdie Jackson lead the team in scoring by averaging 14.3 points per game. Forward Robert Carpenter leads the Aggies in rebounds (7.3) and steals (1.5) per game. New Mexico State is in the “Desert Division” of the Arizona Tip-Off Tournament and will face Pepperdine on Nov. 29.South Korea's democracy held after a 6-hour power play. What does it say for democracies elsewhere?Bluesky has seen its user base soar since the U.S. presidential election, boosted by people seeking refuge from Elon Musk’s X, which they view as increasingly leaning too far to the right given its owner’s support of President-elect Donald Trump, or wanting an alternative to Meta’s Threads and its algorithms. Related Articles The platform grew out of the company then known as Twitter, championed by its former CEO Jack Dorsey. Its decentralized approach to social networking was eventually . That’s unlikely now that the two companies have parted ways. But Bluesky’s growth trajectory — with a user base that has more than doubled since October — could make it a serious competitor to other social platforms. But with growth comes growing pains. It’s not just human users who’ve been flocking to Bluesky but also bots, including those designed to create partisan division or direct users to junk websites. The skyrocketing user base — now surpassing — is the biggest test yet for a relatively young platform that has branded itself as a social media alternative free of the problems plaguing its competitors. According to research firm Similarweb, Bluesky added 7.6 million monthly active app users on iOS and Android in November, an increase of 295.4% since October. It also saw 56.2 million desktop and mobile web visits, in the same period, up 189% from October. Besides the U.S. elections, Bluesky also got a boost when X was . “They got this spike in attention, they’ve crossed the threshold where it is now worth it for people to flood the platform with spam,” said Laura Edelson, an assistant professor of computer science at Northeastern University and a member of Issue One’s Council for Responsible Social Media. “But they don’t have the cash flow, they don’t have the established team that a larger platform would, so they have to do it all very, very quickly.” To manage growth for its tiny staff, Bluesky started as an invitation-only space until it opened to the public in February. That period gave the site time to build out moderation tools and other distinctive features to , such as “starter packs” that provide lists of topically curated feeds. Meta recently announced that it is testing a similar feature. Compared to the bigger players like Meta’s platforms or X, Bluesky has a “quite different” value system, said Claire Wardle, a professor at Cornell University and an expert in misinformation. This includes giving users more control over their experience. “The first generation of social media platforms connected the world, but ended up consolidating power in the hands of a few corporations and their leaders,” in March. “Our online experience doesn’t have to depend on billionaires unilaterally making decisions over what we see. On an open social network like Bluesky, you can shape your experience for yourself.” Because of this mindset, Bluesky has achieved a scrappy underdog status that has attracted users who’ve grown tired of the big players. “People had this idea that it was going to be a different type of social network,” Wardle said. “But the truth is, when you get lots of people in a place and there are eyeballs, it means that it’s in other people’s interests to use bots to create, you know, information that aligns with their perspective.” Little data has emerged to help quantify the rise in impersonator accounts, artificial intelligence-fueled networks and other potentially harmful content on Bluesky. But in recent weeks, users have begun reporting large numbers of apparent AI bots following them, or making seemingly automated in replies. Lion Cassens, a Bluesky user and doctoral candidate in the Netherlands, found one such network by accident — a group of German-language accounts with similar bios and AI-generated profile pictures posting in replies to three German newspapers. “I noticed some weird replies under a news post by the German newspaper ‘Die Ziet,’” he said in an email to The Associated Press. “I have a lot of trust in the moderation mechanism on Bluesky, especially compared to Twitter since the layoffs and due to Musk’s more radical stance on freedom of speech. But AI bots are a big challenge, as they will only improve. I hope social media can keep up with that.” Cassens said the bots’ messages have been relatively innocuous so far, but he was concerned about how they could be repurposed in the future to mislead. There are also signs that foreign disinformation narratives have made their way to Bluesky. The disinformation research group Alethea pointed to one low-traction post sharing a false claim about ABC News that had circulated on Russian Telegram channels. Copycat accounts are another challenge. In late November, Alexios Mantzarlis, director of the Security, Trust and Safety Initiative at Cornell Tech, found that of the top 100 most followed named individuals on Bluesky, 44% had at least one duplicate account posing as them. Two weeks later, Mantzarlis said Bluesky had removed around two-thirds of the duplicate accounts he’d initially detected — a sign the site was aware of the issue and attempting to address it. Bluesky earlier this month that it had quadrupled its moderation team to keep up with its growing user base. The company also announced it had introduced a new system to detect impersonation and was working to improve its Community Guidelines to provide more detail on what’s allowed. Because of the way the site is built, users also have the option to subscribe to third-party “Labelers” that outsource content moderation by tagging accounts with warnings and context. The company didn’t respond to multiple requests for comment for this story. Even as its challenges aren’t yet at the scale other platforms face, Bluesky is at a “crossroads,” said Edward Perez, a board member at the nonpartisan nonprofit OSET Institute, who previously led Twitter’s civic integrity team. “Whether BlueSky likes it or not, it is being pulled into the real world,” Perez said, noting that it needs to quickly prioritize threats and work to mitigate them if it hopes to continue to grow. That said, disinformation and bots won’t be Bluesky’s only challenges in the months and years to come. As a text-based social network, its entire premise is falling out of favor with younger generations. A recent Pew Research Center poll found that only 17% of American teenagers used X, for instance, down from 23% in 2022. For teens and young adults, TikTok, Instagram and other visual-focused platforms are the places to be. Political polarization is also going against Bluesky ever reaching the size of TikTok, Instagram or even X. “Bluesky is not trying to be all things to all people,” Wardle said, adding that, likely, the days of a Facebook or Instagram emerging where they’re “trying to keep everybody happy” are over. Social platforms are increasingly splintered along political lines and when they aren’t — see Meta’s platforms — the companies behind them are actively working to de-emphasize political content and news.
Some directors are good with music. James Mangold is one of them. Back in 2006, “Walk the Line” scored five Oscar nods and won Best Actress for Reese Witherspoon as June Carter Cash. (Joaquin as Johnny Cash lost to Philip Seymour Hoffman in “Capote”). A hard-drinking Johnny Cash (Boyd Holbrook) makes a memorable appearance in “ A Complete Unknown ” (in theaters December 25 from Searchlight), Mangold’s latest music movie, this time focused on the four-year origin myth of Bob Dylan, from his arrival in New York at age 19 in 1961 to his going electric at the Newport Folk Festival in 1965. Mangold is returning to his bent for more personal filmmaking (Best Picture Oscar nominee “Ford v Ferrari” ) after tackling 2023 franchise entry “Indiana Jones and the Dial of Destiny” for Steven Spielberg. The writer/director spoke to me on Zoom during his global press tour for “A Complete Unknown,” which has earned upbeat reviews, especially for Timothée Chalamet . On the awards circuit, Chalamet could follow his Best Actor Oscar nomination for “Call Me By Your Name” with a second, while Mangold and Jay Cocks are in the running for Adapted Screenplay; Mangold was nominated for Adapted Screenplay for “Logan” but has never made it into the Best Director circle. So far “A Complete Unknown” is landing with awards groups, nabbing the same three Golden Globe and Critics Choice Award nominations for Chalamet, supporting actor Edward Norton, and Best Motion Picture Drama/Picture; Elle Fanning won Best Supporting Actress from the National Board of Review, and the film made it to both the NBR and AFI Top Ten. This Zoom interview has been edited and condensed for clarity and brevity. Anne Thompson: Did you hear Zane Lowe’s unfettered interview with Timothée? James Mangold: It was remarkable. I love him. He’s a remarkable young man. Our journey on this movie has been five-and-a-half years. We met for the first time in 2019 at the Toronto Film Festival. I had just gotten my hands on the Elijah Wald book and Jay Cocks’ script. And there was a project in turnaround from HBO, and I had heard Timmy was interested in it. That was a home run idea. I had only a week ago just heard about the material, found out Timmy was in Toronto while I was there. So on the day that “Ford v Ferrari” premiered, I met with him there and told him how I saw the movie working in the most abstract sense. Do you remember that pitch? The simplest version was using “Amadeus” as a template. The way to structure this was to use the supporting cast to see the effect that genius has on them and to try to understand Bob through each of their eyes, instead of trying to crack him in the classic Freudian sense that he would have some big scene in the third act where he confesses some secret that everyone’s been waiting for, which from all my research, I’m not sure there is one. [Timmy] was excited, and he was thrilled. The fact that I made “Walk the Line” gave him confidence. He’s also a quick decision-maker and an instinctual actor. We decided to do this together, and I went to work revising the script. How big a Dylan fan were you at that point? The project didn’t come from me being a Dylan fan. I’ve listened to Dylan all my life, and like many people have gone in and out... listening to him non-stop, and then I have to take a rest, and then a year later, another wave of Dylan comes into my life. I wasn’t walking around going: “I’ve got to make a Bob Dylan movie.” The idea of making a movie about any true-life person, alive or dead, is to know what part of their life you’re making a movie about [before] you start to assemble a birth-to-retirement or death storyline that is so sprawling that it rarely has thematic unity to it at all. The book Cocks had adapted was focused on the road to the electric breakout? Jay wrote many scenes that still survive in the movie now. But Jay went into 1965 quickly. And I wanted to watch this ascent, and there wasn’t any folk period in the early 1960s. He did introduce Woody [Guthrie, played by Scoot McNairy], but then you jumped forward. The idea of keeping Woody alive through the movie for visits mid-picture and at the end of the movie was another thing I felt was important, to keep him, literally and figuratively, alive through the movie as a primal touchstone for Bob. Was Pete Seeger [Edward Norton] supposed to be what Dylan became? He was going to take over the folk mantle and be the popularizer of folk music, and he handed it to Dylan? Do you see it that way? Not exactly. I deeply admire Pete Seeger. I learned to play banjo in high school, inspired mainly by Pete and Steve Martin, but it’s not controversial to say that Pete only wrote a handful of songs and was much more of a missionary and an evangelist for folk music. Then he was an iconic artist whose unique brand of folk music defined and lifted all folk music. His optimism and generosity and sense of lifting all other boats, as he did with Bob and Joan and many others, and his sense of causes, which he would attach himself to all the way to the end of his life with Toshi, his wife, saving the Hudson River, were who Pete was. Look at it this way: Woody Guthrie, singer-songwriter, auteur, prickly, difficult man, salt of the earth; Pete Seeger, more of an evangelist operator, expert communicator, who was lifting Woody’s work and all the others. And then into their world arrives this star that Pete Seeger recognizes, who has some of what Pete doesn’t have, youth and edge, and a songbook that is staggering, and Seeger recognizes the value of an artist like this and immediately embraces him and is rewarded with Dylan becoming the center, holding up the circus tent of folk music. Did Dylan eventually betray Seeger? Did Bob ever agree to anything? Did he take a pledge? I don’t think he’s betrayed. Must all marriages, even ones that are unofficiated, last forever? And these are the questions the movie asks. In our movie, in the first scene alone with Pete in a car, Bob is clear that he’s not necessarily drinking the same kind of purity; he doesn’t view things in the same clearly divided way. You know that he doesn’t see things as us vs. them. He admires Little Richard and Hank Williams and Johnny Cash, and these are all influences which he thinks are marvelous, and they play on the pop charts, and they have drums and keyboards and rhythm sections. Bob becomes what Pete suggests and excels at it as a solo artist. You spoke with Dylan. Dylan himself was clear to me that he never envisioned himself being a solitary artist on stage. That was not his kind of dream. So that’s why he came to pay homage to Woody, who also, by the way, played with many string bands and bands in his career. But that didn’t mean that all he wanted was to be the Bob Dylan that he became. Dylan’s break toward electric music or band music was something that he always wanted to do and it was actually a matter of how long he was going to hold himself back to maintain this kind of tribalism that had divided these two camps from each other. Also Johnny Cash played at Newport Folk Festival many times, and had no problem as they brought a complete band on the stage. So obviously their concern about Dylan was that he was a symbol of their music. Johnny was a country music star coming as a special guest, a novelty, but Bob was folk, and if Bob turned to something other than folk, the tent might collapse. It struck Timothée that who Dylan was and what he represents is the exact opposite of what everything is today. The movie shows us not that he was pure but that he was true to his art. I agree with Timothée’s observation. [Bob] wanted to paint, but he didn’t want to be the voice in your headphones at MoMA, when you look at the paintings, he didn’t want to have to explain his work. And I think we’ve only gotten worse in that we can’t look at mystery. Art is mystery. The power of art is that it could be read different ways by different people. That it is not journalism. And it is not a Wikipedia entry, and it is not a set of facts or bullet points or simple references, and that to point out what you’re doing is to cheapen your work, and that those of us like Timothée and myself who live in this modern era, we know that’s unavoidable. You have to do it. But Dylan avoided it. But I don’t think it was out of intellectual fortitude or artistic ethics. Dylan was uncomfortable with interviews and with explication of oneself and one’s intentions. It’s easy for one to take what could be the result of a social anxiety and make it an artistic dogmatic position. And I tried to write the script with Jay that tried to depict [Dylan] as someone who loved making, but he didn’t necessarily enjoy or find comfort or even could be unwound by this mass adoration. His goal was never gigantic adoration. His goal was always to send these missives out in the world and let people process them. Timothée had to find that balance where he’s hooded, enigmatic, and mysterious but is also trying to draw you in while he’s keeping you out. It’s hard to pull off. Yes, but I don’t think Timmy tried to keep us out. I don’t think that’s a way you can direct an actor. One of the most beautiful touches early in the film that Timothée did in one take that I circled immediately, was Elle Fanning and him are out on a date, and they’re walking by a subway station, and she writes her number on his hand, and then she kisses his cheek, and Timmy has this moment where he flinches as she kisses his cheek, almost like it scares him a little. It was a penetrating moment: What if this character is actually living with an element of fear and anxiety about social interaction and love and connection, that it’s scary for them? I had this theory that the best angle would be to play him so that the outside world and the sensory world is intrusive to him, and it’s a struggle for him to stay present, and that instead of assuming everything is an attitude or an edge, what if there’s social awkwardness and a lack of filter that makes him blurt out things that are resoundingly blunt to the point that they seem impolite? But where he exists is a space of extreme honesty that doesn’t work in our world; it comes off as rudeness. I tried to find other ways to look at his behavior and encourage Timothée to examine them. For instance, we can call his making stories up about his past a lie, but we can also call it a wish, meaning that he wished he wasn’t a middle-class kid who grew up in comfort, the son of a man who owned a hardware store in Hibbing, Minnesota. He wished he came from the carnival and the rails and the dirt of the alleys like Woody Guthrie. And so those wishes becoming fantasies became legend, and I was trying to understand everything without assuming that he was this puppet master organizing this PR campaign of mystery and subterfuge, which I found slightly hard to believe. His sexual and professional bond with Joan Baez [Monica Barbaro], who was a bigger star, goes on through the movie until he turns up in her hotel room playing guitar in the middle of the night and she kicks him out! Joan was the one equal. Yes, they had different talents. Joan had a nightingale’s voice. She was a masterful guitar player. She had a perfection in her execution of her songs, but she only wrote a handful of songs. On the other side you had Bob, who was more of a wild card, who didn’t always sing, even on pitch, he was sloppy and slightly provocative and rambling in his stage presence. And so they’re completely opposite, but completely fascinating to one another, because, of course, the songs are springing from him like a fountain and how annoying that might be for Joan, that somehow this disheveled and semi-rude, rumpled genius, had no problem springing forth. With songs that she wanted to sing. They loved each other and were fascinated by one another. But it was unavoidable that there would be a slight competitive nature between them, and that each would covet something that the other had. Bob coveted her beautiful voice, her beautiful visage, her brilliant execution, and admired her stardom and her professionalism. And Joan admired the artistic volcano out of which these songs seem to spring. You’ve said the movie isn’t political, but weren’t Dylan’s songs political in their time? All movies are political, either directly or metaphorically. “Ford v Ferrari” is political. I wanted to represent all sides. But does it involve politics? Yes, not even just the obvious politics of the moment, but also the politics of what is music here for? Now, music is almost entirely about the self. We have very little music about our world, we sing entirely about our personal lives. In preparing the music, you did pre-recordings, but once you were shooting, it became apparent that after years of pandemic and strike delays with time for practice, the live performances were better? Was that scary ? It was less scary for me than it was for my sound team and in the edit room. Recordings are more challenging in these different locations, wherein to get a quality recording of the guitar playing, banjo playing, and singing, you have trucks going by, random creaks and sounds. And I had to convince them I didn’t care, that we could fix them later. But there were myriad technical issues, like, “What if Timmy plays the song at one rhythm in one take and then increases by two rhythm beats the next take?” The truth was, he did; the rhythm does vary slightly, but you don’t feel it because the song is so alive. It was much ado about nothing compared to the gains we got by allowing him to do it. It was a process that was rolling. I let us do the first song live; that worked so well we tried it again with the next. And in a sense, we always held the pre-records back there as a backup, and as we rolled forward, we got better and better. The sound team figured out where to hide mics in [Chalamet’s] hair or his hat, or secret mics inside the guitar. Everyone adapted and suddenly developed a brilliant technique to make it all happen. And you somehow got the period right. I grew up in New York in the ’60s and ’70s. I was born in ’63 but I remember those streets, the smell of them, the pickle barrels, the wonderful collection of humanity. That later period, 1969, is harder because you could look like a road production of “Hair” if you don’t watch yourself. But this period, as Bob himself said, the early ’60s were an extension of the ’50s, and the late ’60s were the beginning of the ’70s. And the ’60s, according to Bob, didn’t really exist. There was a dividing line at ’65 and everything onward was a prologue to the ’70s. The big change occurred somewhere around the Newport concert, and the arrival of the Beatles and The Stones, and the worsening of the Vietnam War, and the assassinations, and Woodstock, became demarcations of of a dramatic cultural shift. You recreated Greenwich Village in New Jersey? One of the advantages we had by landing in New Jersey: for a lot of the street scenes, we found blocks that were still pretty much exactly as they were 60 years ago, and they just required a bit of dressing. If you tried to shoot this in New York, there’s not a single block we could even afford to shut down, given the five-star restaurants and businesses that would never agree to anything that didn’t give them each $100,000 a night to close. We shot a few days in New York, obviously, outside the Chelsea Hotel and the Supreme Court courthouse. But most of it was in New Jersey. This is not a conventional narrative. How did you keep the audience invested in the story, even though it was basically a string of musical performances? First of all, I viewed the musical performance as part of the scenes. I viewed the songs as part of the scene where the actors were acting, but on pitch. I had the same demands when they were singing as when they were acting without singing, which is that there always had to be a subtext. There always had to be dramatic tension, whether in the wings or between each other on the stage or with someone in the audience, that I never wanted it to just be wholly a recreation of a famous concert. Watching people sing is no different than when you’re doing an action sequence in an action picture: if there isn’t story development inside the action, or if there isn’t story development inside the song, then the song is a commercial break from the drama of the movie, and the movie unwinds. In the film, Chalamet performs 40 songs, some are guitar or harmonica or radio fragments, including 26 whole songs. He prepared 30 songs, but you had to pick the ones that you put in the movie for a reason. When I started writing, I was just dropping the songs where they went in. I was conscious of how the songs gained power as explications of his emotional state in the context of what was going on politically and emotionally for him at that time. So him singing “Song for Woody” couldn’t be more intentional. Each one of these songs were revealing another aspect of him, also a different energy. Many of his songs were talking directly to the audience. Had that been done much before? Folk music, at that point, existed as a world of covers. All popular music was primarily in [the early ’60s] people singing standards, even Coltrane and Davis, most of their albums were taking Rodgers and Hammerstein tunes, or “My Funny Valentine,” or taking popular melodies and bending them. What happened in the age of Dylan? The power of modern songwriting. Personal songwriting took over, and this idea that we only should sing songs that existed already, that have proven themselves with time, evaporated. And that’s what opened the door for Dylan’s descendants, because he was ready with a portfolio of insanely powerful original music. This film is an antidote to what is going on in Hollywood. It is the opposite of franchise filmmaking, and while we know Dylan and his songs, this is a modest movie that celebrates a gritty authenticity that we don’t see much anymore. I move between those worlds, and in some ways, they give me the license to drive and make these movies, and the wherewithal to put them together financially. And otherwise, these are a big risk for studios, especially if they’re going out theatrically. It’s a white elephant at this point that you have mainstream studios making original movies that don’t have a guaranteed audience, that rely upon execution in order to succeed. And I’m grateful to Searchlight and my friends at Disney for supporting me on this movie because it is a risk, and I miss these movies in the theater. And I grew up on 7’0s films, and so my style is, if anything’ more formed from the work of Mike Nichols and Alan Pakula and Steven Spielberg and Martin Scorsese and Sidney Lumet and William Friedkin and Bogdanovich, these are the movies I grew up on. And these were all extremely versatile filmmakers who moved from comedy to serious to fantasy to adventure, and there wasn’t this demand that we exist in a lane or a box. I feel that the work I do, moving from one to the other, is always additive, that I learned something about making a horror film that I bring to a musical biopic. I learned something making a fantasy film or a Marvel film that then becomes confidence in how to solve a problem in a dramatic scene. Making a movie like this, finding a bunch of amazing, committed, passionate young actors who are all supporting each other, lifting each other, the environment and the camaraderie on the set was a real joy and we felt purpose, because we felt that this music was about a world in which art could change things, not by directly protesting, but by getting under your skin, by reminding you that we can look within and ask ourselves some of these questions about the direction our world is heading without hitting us over the head with a history lesson or shaming us, so that we could be inspired to think about what our world could be. “A Complete Unknown” will be released in theaters December 25.
Sausalito invests $1.9M to boost energy savingsOnline Fundraising Tools Market Dazzling Worldwide | Big Giants GoFundMe, Kickstarter, Indiegogo 12-23-2024 07:53 PM CET | Advertising, Media Consulting, Marketing Research Press release from: HTF Market Intelligence Consulting Pvt. Ltd. Online Fundraising Tools Market HTF MI recently introduced Global Online Fundraising Tools Market study with 143+ pages in-depth overview, describing about the Product / Industry Scope and elaborates market outlook and status (2024-2032). The market Study is segmented by key regions which is accelerating the marketization. At present, the market is developing its presence. Some key players from the complete study are GoFundMe, Kickstarter, Indiegogo, JustGiving, Fundly, Patreon, Crowdfunder, Givebutter, Donorbox, PayPal Fundraiser, Classy, CauseVox, FundRazr, Qgiv, Fundable. Download Sample Report PDF (Including Full TOC, Table & Figures) 👉 https://www.htfmarketreport.com/sample-report/2618165-global-online-fundraising-tools-market-2?utm_source=Akash_OpenPR&utm_id=Akash According to HTF Market Intelligence, the Global Online Fundraising Tools market is expected to grow from 3 Billion USD in 2024 to 7 Billion USD by 2032, with a CAGR of 9.8% from 2024 to 2032. The Online Fundraising Tools market is segmented by Types (Peer-to-Peer, Crowdfunding, Nonprofit, Corporate Giving Platforms), Application (Charities, Startups, Education, Emergency Relief) and by Geography (North America, LATAM, West Europe, Central & Eastern Europe, Northern Europe, Southern Europe, East Asia, Southeast Asia, South Asia, Central Asia, Oceania, MEA). Definition: Includes software and platforms that enable individuals, organizations, and nonprofits to raise funds online for causes, projects, or businesses. Growth is fueled by the increasing adoption of digital payment systems, social media integration, and the need for accessible fundraising solutions. Dominating Region: • North America Fastest-Growing Region: • Asia-Pacific Market Trends: •Live Fundraisers, Mobile Apps, AI-Driven Campaigns Market Drivers: •Rising Donations, Social Media Influence, FinTech Growth Market Challenges: •Trust Issues, Platform Fees, Donor Retention Have a query? Market an enquiry before purchase 👉 https://www.htfmarketreport.com/enquiry-before-buy/2618165-global-online-fundraising-tools-market-2?utm_source=Akash_OpenPR&utm_id=Akash The titled segments and sub-section of the market are illuminated below: In-depth analysis of Online Fundraising Tools market segments by Types: Peer-to-Peer, Crowdfunding, Nonprofit, Corporate Giving Platforms Detailed analysis of Tank Container Shipping market segments by Applications: Charities, Startups, Education, Emergency Relief Geographically, the detailed analysis of consumption, revenue, market share, and growth rate of the following regions: • The Middle East and Africa (South Africa, Saudi Arabia, UAE, Israel, Egypt, etc.) • North America (United States, Mexico & Canada) • South America (Brazil, Venezuela, Argentina, Ecuador, Peru, Colombia, etc.) • Europe (Turkey, Spain, Turkey, Netherlands Denmark, Belgium, Switzerland, Germany, Russia UK, Italy, France, etc.) • Asia-Pacific (Taiwan, Hong Kong, Singapore, Vietnam, China, Malaysia, Japan, Philippines, Korea, Thailand, India, Indonesia, and Australia). Buy Now Latest Edition of Online Fundraising Tools Market Report 👉 https://www.htfmarketreport.com/buy-now?format=1&report=2618165?utm_source=Akash_OpenPR&utm_id=Akash Online Fundraising Tools Market Research Objectives: - Focuses on the key manufacturers, to define, pronounce and examine the value, sales volume, market share, market competition landscape, SWOT analysis, and development plans in the next few years. - To share comprehensive information about the key factors influencing the growth of the market (opportunities, drivers, growth potential, industry-specific challenges and risks). - To analyze the with respect to individual future prospects, growth trends and their involvement to the total market. - To analyze reasonable developments such as agreements, expansions new product launches, and acquisitions in the market. - To deliberately profile the key players and systematically examine their growth strategies. FIVE FORCES & PESTLE ANALYSIS: In order to better understand market conditions five forces analysis is conducted that includes the Bargaining power of buyers, Bargaining power of suppliers, Threat of new entrants, Threat of substitutes, and Threat of rivalry. • Political (Political policy and stability as well as trade, fiscal, and taxation policies) • Economical (Interest rates, employment or unemployment rates, raw material costs, and foreign exchange rates) • Social (Changing family demographics, education levels, cultural trends, attitude changes, and changes in lifestyles) • Technological (Changes in digital or mobile technology, automation, research, and development) • Legal (Employment legislation, consumer law, health, and safety, international as well as trade regulation and restrictions) • Environmental (Climate, recycling procedures, carbon footprint, waste disposal, and sustainability) Get 10-25% Discount on Immediate purchase 👉 https://www.htfmarketreport.com/request-discount/2618165-global-online-fundraising-tools-market-2?utm_source=Akash_OpenPR&utm_id=Akash Points Covered in Table of Content of Global Online Fundraising Tools Market: Chapter 01 - Online Fundraising Tools Executive Summary Chapter 02 - Market Overview Chapter 03 - Key Success Factors Chapter 04 - Global Online Fundraising Tools Market - Pricing Analysis Chapter 05 - Global Online Fundraising Tools Market Background or History Chapter 06 - Global Online Fundraising Tools Market Segmentation (e.g. Type, Application) Chapter 07 - Key and Emerging Countries Analysis Worldwide Online Fundraising Tools Market Chapter 08 - Global Online Fundraising Tools Market Structure & worth Analysis Chapter 09 - Global Online Fundraising Tools Market Competitive Analysis & Challenges Chapter 10 - Assumptions and Acronyms Chapter 11 - Online Fundraising Tools Market Research Methodology Key questions answered • How Global Online Fundraising Tools Market growth & size is changing in next few years? • Who are the Leading players and what are their futuristic plans in the Global Online Fundraising Tools market? • What are the key concerns of the 5-forces analysis of the Global Online Fundraising Tools market? • What are the strengths and weaknesses of the key vendors? • What are the different prospects and threats faced by the dealers in the Global Online Fundraising Tools market? Thanks for reading this article; you can also get individual chapter-wise sections or region-wise report versions like North America, LATAM, Europe, Japan, Australia or Southeast Asia. Nidhi Bhawsar (PR & Marketing Manager) HTF Market Intelligence Consulting Private Limited Phone: +15075562445 sales@htfmarketreport.com About Author: HTF Market Intelligence Consulting is uniquely positioned to empower and inspire with research and consulting services to empower businesses with growth strategies. We offer services with extraordinary depth and breadth of thought leadership, research, tools, events, and experience that assist in decision-making. This release was published on openPR.
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