We’re taking a look back at some of our favourite and most popular Entertainment stories of 2024 , giving you a chance to catch up on some of the great reading you might have missed this year. In this story from October, we count down the 25 best animated films, ideal for inspiration if the kids are already bored with their Christmas presents. For years it was the superheroes who were saving Hollywood. From Spider-Man to Batman to, belatedly, a few women — the comic-book movie became a multibillion-dollar ballast for a business struggling to make money in a world of streaming and smartphones. But then, like Superman faced with kryptonite, said superheroes started to weaken and their fickle audiences moved on as studio execs started to panic. Who, they gasped, would save Hollywood now? Well, step forward ... cartoons. Lots of them. In a previous life the top of the box-office charts would be full of Oscar-worthy adult movies — but the days of cinema being dominated by serious dramatic fare are long gone. Five of the top 20 highest-grossing films worldwide this year were animated — and three of those five were among the top six money-makers. Such is the domination that the biggest film this year is Inside Out 2 , the sequel starring new emotions in the teenager Riley’s brain. It was the fastest film to date to reach US$1 billion (from box offices around the world) and that’s with half the publicity of a film like, say, Barbie , which made far less money. Meanwhile, Despicable Me 4 was the third-highest earner of the year and Kung Fu Panda 4 landed at No 6. “Entering the summer, the marketplace was suffering a malaise — a year-to-date downturn with films not living up to expectations,” says Paul Dergarabedian, an analyst for the global media company Comscore. “Then family movies became the saviour of box office.” This is glorious for Hollywood. In 2020, when Trolls World Tour became the first film of the pandemic to be released at home at the same time as in cinemas, entire pricing structures fell into jeopardy. A family of four in the UK gathered around a TV would pay £20 to stream Trolls World Tour instead of north of £50 for four multiplex tickets and some overpriced popcorn and drinks. Losing that income for ever would have been fatal for the industry, but the success of Inside Out 2 and its ilk has brought back multigenerational family entertainment — something Marvel and DC superhero franchises never pulled off — when studios needed it most. Dave Holstein, a writer on Inside Out 2 , describes the film as “many movies in one. My six-year-old thinks it’s the funniest he’s seen. My mum thinks it’s the saddest. And when my son sees it again in 10 years he’ll have a whole different movie to watch.” By the end of this year the blockbusters with actual actors in them — The Fall Guy , Furiosa: A Mad Max Saga, Dune: Part Two — will be further sidelined by the arrival of Moana 2 (the first Moana earned US$600 million) and Mufasa: The Lion King (the 2019 Lion King reboot took US$1.6 billion). Even the king of rom-coms Richard Curtis is getting in on the act with a cartoon, That Christmas. And The Lord of the Rings: The War of the Rohirrim has no A-listers in sight. Yet this year’s animation boom was not nearly as bright, gaudy and empty as the film posters tended to suggest. Yes, there was dross ( The Garfield Movie ) but more interestingly, more excitingly, it has brought a sense of creative expression and exuberance, as if animation is entering its baroque phase. Lord of the Rings: The War of the Rohirrim is delivered in beautifully rendered anime, making the screen look like the best room in an art gallery; while the masterly and meaningful The Wild Robot , out this weekend, is like watching ET , Finding Nemo and Bambi as drawn by Claude Monet. Inside Out 2 had equal quality, following the rich Pixar tradition of Up, Wall-E and Soul by tackling the biggest topics — such as loneliness and death — in a way that never felt patronising. “One of my favourite films of the past 20 years is Toy Story 3 ,” Miguel Gomes, the Portuguese arthouse film-maker who won best director at the Cannes Film Festival this year, told The Film Stage. “Pixar is closer to the idea of mainstream classical cinema than most of what is made today.” And Gomes’s enthusiasm is the crux of the animation boom, explaining why the backbone of Hollywood profit shifting from superhero to cartoon will become less of a trend and more of an era. Comic-book films lost their audience in the 2020s due to creative stagnation and a dwindling interest in periphery characters ( The Flash? Ant-Man ?), yet animation is a sandbox where artists can draw what they want. Such endless ideas will always have a chance of welcoming new fans, especially those who grew up with gaming culture. This is a key factor in why animation is having a moment — because the future of cinema depends on convincing Gen Z and Gen Alpha that a multiplex remains as appealing as it did before various devices littered the home. The signs are encouraging: 37 per cent of the audience at Inside Out 2 ′s opening weekend was made up of 18 to 34-year-olds, an age group who go to the cinema without parents but, crucially, without kids. Why are they watching a cartoon? Because for younger fans animation is serious storytelling, with their most beloved yarns in gaming on Xbox and PlayStation spun via that medium. Studios know this. They have been trying and failing to bring video games to the big screen for at least 20 years, since before Angelina Jolie played Lara Croft in 2001. But rather than mimic stories, what if they tried for the essence of a video game instead? The feel and the look — the myriad possibilities? That is what we have seen in animation this year, because if studios were able to transpose what people enjoy about consoles on to the big screen, then Hollywood will own the next generation. It will save itself. The 25 best animated films ranked - from Snow White to Up The Times critics pick their favourite cartoons that you can watch now. We’re living in an animation boom. Family-friendly cartoons are taking over the box office, with two of the biggest movies of 2024 so far being Inside Out 2 and Despicable Me 4 . The Pixar film, about the emotions inside a teenager’s brain, became the highest-grossing animated film ever, raking in over US$1.6 billion since its release. And now The Wild Robot hits cinemas, a new animated film from DreamWorks about a robot named Roz. It has already been praised by critics as a masterpiece. But what’s the best animated film? Here our critics rank the top 25 of all time — from Up to Waltz with Bashir . Did they get it right? 25. Frozen (2013, Disney+) Disney spent ten years trying to adapt Hans Christian Andersen’s fairytale The Snow Queen and the result was this shimmering, frosted fantasy. It tells a simple yet compelling tale of two sisters, one with icy powers, and a snowman named Olaf who likes summer days. It has become a cultural touchstone that has spread its icy tips across the globe with merchandise, stage shows and ice shows — until Frozen 2 in 2019 it was the highest grossing animated film. Crammed with earworms, this is the movie your children won’t let you forget, no matter how hard you try to, err, let it go. 24. Inside Out (2015, Disney+) It’s a perennial question: what actually goes on inside our heads? Pixar’s imaginative film follows Riley, an ice-hockey obsessed 11-year-old, as she moves to San Francisco. But she isn’t the star of the show. Instead, viewers get a peek inside her mind where anthropomorphised versions of emotions — Joy, Sadness, Fear, Disgust, Anger — struggle to keep control. It’s an abstract premise delivered with giddy, colourful characters. The film is at once a tearjerker and pure joy. Its sequel became the highest-grossing animated film ever. 23. The Jungle Book (1967, Disney+) In 1967 Disney needed a hit: the response to the studio’s previous feature The Sword in the Stone (1963) had been lacklustre and Walt had died of lung cancer at 65 the year before. Luckily they had this lively animated adaptation of the Rudyard Kipling classic in the bag. Stuffed with exuberant characters and a jumpin’ score, this film is pure fun. The star is Baloo, the loveable bear, and his infectious track The Bare Necessities . It was the last film overseen by Walt Disney — a magical note to bow out on. 22. James and the Giant Peach (1996, Disney+) Henry Sellick’s adaptation of Roald Dahl’s classic about a boy riding in a giant, runaway peach with a crew of ugly bugs matches Dahl’s mixture of spikiness and sparkiness almost exactly — the storytelling has a helium bounce thanks to inspired voice work by Simon Callow, Joanna Lumley, Richard Dreyfuss and Miriam Margolyes. The best Dahl adaptation before Wes Anderson got to work. 21. Monsters Inc (2001, Disney+) It’s not your typical plot for a children’s film: monsters elicit screams from children to power their glistening metropolis. Yet this is packed with warmth and cheerful high energy, delivered by a hairy blue-purple monster called Sulley, voiced by John Goodman, and his green pal Mike (Billy Crystal). At its heart it’s a tale of confronting one’s fears, but it never becomes bogged down. It’s full of gleeful gags and silliness (odorants called Wet Dog and Low Tide). How did it lose the Oscar to Shrek? A travesty. 20. Fantastic Mr Fox (2009, Disney+) This stop-motion animation and ingenious adaptation of Roald Dahl’s novel comes from the mind of one of Hollywood’s most idiosyncratic directors: Wes Anderson. The director, a lifelong Dahl fan who read the book as a child in Texas, teams up with the co-writer Noah Baumbach to dream up a story that extends beyond the poultry-stealing fox (voiced by George Clooney) and greedy farmers. This is a world of misfits, disaffected parents and troubled teenagers. Plus, there’s a farmhand voiced by the pop singer Jarvis Cocker. 19. Alice (1988, Mubi) The Czech surrealist Jan Svankmajer’s stop-motion version of Lewis Carroll’s Alice’s Adventures in Wonderland is one to give even adults the jitters. Alice’s transformations unfold with the logic of a bad dream, in which everyday objects — playing cards, china dolls, croquet mallets — take on spooky life and significance. Sure, there is some live action there, but it’s directed in a way that never distracts from the spectacular animation. Knocks the Disney version into a mad hatter’s hat. 18. My Neighbor Totoro (1988, Netflix) Hayao Miyazaki’s magical film is about two sisters who move to a creaky house near the hospital where their mother is being treated. They explore a visually enchanting world of their invention, a fantasy realm with a big, cuddly forest spirit and a “catbus”. Its friendly characters delight children, but its themes of wonderment and the thrill of exploration are great enough to awaken anyone’s inner child. The stage adaptation became a monster hit in the West End. 17. Pinocchio (1940, Disney+) Walt Disney didn’t like the Pinocchio of Carlo Calodi’s source novel very much and invented the character of Jiminy Cricket to give him a conscience, thus bequeathing to the studio its theme song: When You Wish Upon a Star , sung heartbreakingly by the singer-comedian Cliff Edwards. But the film remains one of the darker Disneys, and is all the more memorable for it. Remember how terrifying it is when Pinocchio transforms into a donkey? 16. Waltz with Bashir (2008, buy/rent Apple TV) Think animation can’t tackle challenging subject matter? Just watch this haunting movie, which brings to life the dreams and traumatic memories of the Israeli soldiers who fought with Lebanese forces against the Palestine Liberation Organisation and Syria in the 1982 Lebanon war. The Israeli director Ari Folman uses his shattered recollections as a soldier during the conflict and interviews with others who were there to create a nightmarish vision, a vivid and brutal portrait of the horrors of war. Still as pertinent as ever, this is a stunning anti-war film. 15. The Wild Robot (2024, in cinemas now) Chris Sanders has crafted a joyous film — warm, wise and funny — about oddball parenting. It tells the story of a robot (Lupita Nyong’o) who is washed up on the shore and has to adapt to its new surroundings. The director has focused his movie on the emotions and experience of parenthood, particularly when those parents happen to be slightly different. Anybody who has found themselves thrust into parenthood without a user’s manual — which is to say, just about everybody — will feel understood. Knockouts don’t come much cleaner than this. 14. Watership Down (1978, buy/rent Apple TV) Martin Rosen’s labour-of-love adaptation of Richard Adams’s bestseller about a warren of Hampshire rabbits forced into exile, featuring the voices of John Hurt, Richard Briars and Nigel Hawthorne, is not for those craving Disney cuteness. It’s a bloody, tooth-and-claw survival epic, bristling with violent predators and lurking threats, aimed at old souls who can still hum the tune to Art Garfunkel’s melancholy theme song, Bright Eyes . 13. Up (2009, Disney+) Is there a more traumatic movie scene than the first ten minutes of this animation? It captures the life of Carl (voiced by Ed Asner), the 78-year-old widower, from first love to the death of his wife. Heartbreaking. Next up, an adventure to visit the mythical lost worlds of South America, courtesy of the thousands of balloons he ties to the roof of his house. His companion is a freckled eight-year-old named Russell (Jordan Nagai). The film, which opened at Cannes in 2009, has a simple message: you’re never too old for an adventure. Just wonderful. 12. The Incredibles (2004, Disney+) Brad Bird’s retro-futurist hymn to space-age architecture, Bond villain lairs, couturiers inspired by the costume designer Edith Head (“Dahlink!”) and jetpacks — what more could you want? The zippiest Pixar, as well as the funniest, The Incredibles is executed with more craft, invention and wit than most of the superhero movies it spoofs. 11. The Nightmare Before Christmas (1993, Disney+) This started life as a poem that Tim Burton wrote while working as a junior animator at Disney. It became a witty, dark, wonderfully inventive fable about a takeover of Christmas by a village of spindly Halloween ghouls. The film mixes dark barbs and twinkly charm. Burton’s Edward Gorey-style designs receive cantering accompaniment in Danny Elfman’s antic score so that the production at times seems possessed by some mischievous spirit. 10. Spider-Man: Into the Spider-Verse (2018, Neon) After a torrent of half-baked superhero films, this animation felt refreshing. Produced by The Lego Movie ’s Phil Lord and Christopher Miller, its innovative design, quick-witted humour and mind-bending storytelling took modern animation into a different universe. At the centre of the tale is Miles Morales, a Brooklyn schoolboy, who teams up with all sorts of spider heroes, including a jaded middle-aged Spider-Man and a radioactive pig. The Oscar winner for best animated feature is busy but never overwhelming. It’s zippy, entertaining — and proved there was life yet in caped crusaders. 9. Wallace & Gromit: The Wrong Trousers (1993) Before Nick Park’s work acquired the scale and spectacle of Hollywood features, The Wrong Trousers with its techno trousers and penguin arch-villain got the balance with the more humdrum, homespun elements of the series exactly right. The film may be just 30 minutes long, but it took eight months to make. And the climax, featuring a death-defying run round a train set is an unimprovable mixture of thrills and slapstick. Buster Keaton would be proud. 8. Beauty and the Beast (1991, Disney+) Howard Ashman was dying of Aids when he wrote the lyrics for this glorious film with the composer Alan Menken. The duo had resurrected Disney’s fortunes in the 1980s with The Little Mermaid , but this was their magnum opus, a tale of a headstrong bibliophile who is held captive by a beast. Steeped in enchanting moments and bursting with colourful characters, this film looks gorgeous and combines the traditions of the past with the spectacle of a Broadway musical. It earned the first best picture Oscar nomination for an animated movie, an impressive feat for a medium so often dismissed. 7. Wall-E (2008, Disney+) One small step for a robot, one giant leap for animation. Pixar’s epic space adventure, about the last robot left on Earth, was an impressive move forward in technology, proving that animation could make you forget what you’re watching isn’t real. Andrew Stanton, who started his career as a writer on Toy Story , directs the tale of a droid clearing up the mess that mankind left behind while they’re getting fat on space cruises. Much of it unfolds like a silent movie with the whirring bot’s only accompaniment, at the start, an old Betamax tape of Hello, Dolly! . The artistic risk pays off — it’s animation’s 2001: A Space Odyssey. 6. Snow White (1937, Disney+) The Citizen Kane of animated features, the one that proved that a full-length animated feature was even possible, swept along by the obsession and storytelling verve of Walt Disney. While making it, he could practically run the entire film — every cut, fade-out, line of dialogue — in his sleep. The big gamble to make this — Walt’s “folly” — paid off and more than just a film, a new form was born. Adriana Caselotti, who was the voice of Snow White, was not credited for her role. She went on to have small parts in The Wizard of Oz and It’s a Wonderful Life (singing in Martini’s bar). 5. The Lion King (1994, Disney+) Of all the more recent Disneys The Lion King is the one with the simplicity of old — it’s basically Bambi in Africa — but the desert landscapes, soaring songs and basso profundo of James Earl Jones all give Rob Minkoff and Roger Allers’s film an epic sweep worthy of that continent. So dedicated were the animators that lions were brought into the studio to study. The voice work is among Disney’s best and Jeremy Irons’s Scar the most seductive Disney bad guy since Shere Khan. 4. Spirited Away (2001, Netflix) This film, which won the director Hayao Miyazaki his first Oscar, centres on ten-year-old Chihiro, whose family’s move to a new town takes a fantastical turn. Her parents have turned into pigs and she’s soon on a journey with supernatural beings, including a six-legged man and a grotesque sludge creature in a psychedelic bath house. It knows that it’s weird, that it’s not very Disney — but that doesn’t stop us from admiring its beauty and brashness. This is animation as art and Miyazaki’s most outlandish and ambitious Studio Ghibli picture. 3. Bambi (1942, Disney+) Completed in the aftermath of the death of Walt Disney’s mother, Bambi ’s purity of line and emotion make it the most poetic of all the Disneys. The storytelling has the economy and enchantment of fable. The first Disney feature to do without humans, except as a threat, it’s a film children can just pour themselves into. They are Bambi and Thumper. Originally there was a shot in the scene where Bambi’s mother dies, but the screenwriter Larry Morey felt that it was more powerful to have it happen off screen. 2. The Iron Giant (1999, buy/rent Apple TV) The characters of Ted Hughes’s The Iron Man are transplanted from 1950s England to rural Maine with barely a scratch, unlike the crash-landed robot. Like Steven Spielberg’s ET: the Extra-Terrestrial , the film is the simplest of love stories — boy finds robot, boy loses robot, robot slowly reassembles himself screw by screw — told with such sweetness and charm you could forget there’s a cold war going on. It began as a musical with the Who guitarist Pete Townshend involved. 1. Toy Story 3 (2010, Disney+) The first Toy Story , the first computer-generated feature film, was a mix of groundbreaking tech, narrative ingenuity and heart — the space ranger Buzz proving he’s the real deal by soaring around the bedroom, or as he calls it “falling with style” — but it was Toy Story 3 that had us reaching for the tissues. There is an escape from Colditz, a great Barbie-Ken subplot (with voice work from Michael Keaton and Jodie Benson) and a backstory for Ned Beatty’s Lots-o’-Huggin’ Bear that is a small masterpiece of storytelling and heart-tugging pathos. It became the second Pixar film (after Up ) to receive an Academy award nomination for best picture. Don’t bother with the mediocre fourth film — this goodbye is the equal of the one in Brief Encounter . Pixar has taken us on a journey with these toys, and this film was a flawless conclusion. Written by: Jonathan Dean, Tom Shone and Jake Helm © The Times of London Share this article Reminder, this is a Premium article and requires a subscription to read. Copy Link Email Facebook Twitter/X LinkedIn RedditWashington State University Vancouver students will soon transform a local art installation into an interactive educational experience, bridging the gap between art, technology and language at the Woodland Community Library . Suspended above the children’s room in the Woodland Community Library is “Phonic Bloom,” an art installation created by Portland-based studio Superfab. This piece repurposed recycled books into a vibrant hanging garden, visually symbolizing the sounds of the International Phonetic Alphabet. Each color-coded bloom represents syllables common to local languages: red for English, yellow for Spanish and blue for Salish — the language spoken by the Cowlitz Tribe for thousands of years. The installation was developed in collaboration with Portland State University linguist Janet Tom Cowell, who worked with Superfab to highlight the shared phonetic elements across these languages. Washington State University Vancouver student and experience team lead James Lesperance showcases a prototype for an app designed to bring an art installation to life through augmented reality during a presentation at WSU Vancouver on Wednesday, Dec. 11. The app allows visitors to interact with an art piece called “Phonic Bloom” at the Woodland library, providing a deeper understanding of phonics in multiple languages. This “data sculpture,” as WSU professor and Digital Technology and Culture lead Dene Grigar explained, presented a special opportunity for her students — developing an augmented reality mobile app to teach visitors about phonics using the installation. Augmented reality uses technology to blend digital content with the real world. The WSU students' app brings “Phonic Bloom” to life similar to the popular mobile app “Pokémon Go.” Visitors can point their phones at the sculpture to see a digital recreation of the garden appear on their screens. Guided by “Bea,” a friendly bee mascot voiced by design team member Bea Calces, users can interact with virtual blooms to learn about the corresponding phonetic sounds. The app features audio and visual representations, including animations of the human vocal system producing sounds like “la” and “shaw.” Mailei Brodniak, the student project manager, described their mission as developing and promoting a mobile app to educate young audiences about phonics. The task came with a steep learning curve, as the team first had to familiarize themselves with the intricacies of phonics before beginning. The students had 16 weeks — one semester — to complete their work. “We had the job of taking that sculpture and then bringing it down to our level and making it so that people from children to families could interact with it and actually understand what it’s saying,” Brodniak said Each year, Digital Technology and Culture students are tasked with a 16-week project using their skillsets to showcase their work on resumes or portfolios. The students learn a variety of skills ranging from videography to game design, choosing one category to be their “superpower.” Their main chosen skill is their focus for the senior project, giving students a chance to add to their portfolio before graduation. “The senior seminar is like a finishing school slash boot camp ... getting them to polish themselves, refine their skills and begin to feel confident so they can have a successful interview. It’s about turning out successful thinkers, makers and doers,” Grigar said. The senior seminar split its 18 students into four teams: • A design team, which conceptualized the app’s appearance and functionality • An experience team, which developed the app, implementing its interactive features • A web development team, which created a complementary website detailing the project’s history and features. • A social media team, which promoted the project across social media The design and experience teams crafted 15 unique 3D models, 26 animations and 20 audio components, supported by over 2,000 lines of code for the project. Student Evan Leyden took on the intricate task of animating a realistic depiction of human vocal anatomy for the app. “I spent over 12 hours just researching the kinematics of how we actually move everything inside our mouth to make sure that the animation was accurate, as well as looking for just the right [animation] plug-in [so] this [Magnetic Resonance Imaging] has fully articulated lips, tongue, velum, jaw and larynx,” Leyden said. The web development team supplemented the app with an interactive website, featuring an interactive phonetic chart and resources about the installation. Meanwhile, the social media team chronicled the project’s development across Instagram, TikTok and LinkedIn, garnering over 200,000 views and 2,000 engagements. In a Dec. 11 presentation at WSU Vancouver, students demonstrated the fully functional mobile app as attendees watched the interactive experience. Brodniak emphasized the teamwork that was key to the project’s success. “The thing I’m most proud of is how everyone just came together. Everyone communicated so well, and everyone was so friendly with each other. There’s a lot of unity, which you would hope for since we’re making a project about community, but we were able to foster one,” She said. As part of their coursework, each student incorporated their contributions into their resumés and portfolios, participating in mock interviews with local employers. Brodniak, who also worked on the social media team, plans to pursue roles in social media or project management. “This experience gave me a lot of confidence in being a project manager, so I wouldn’t be opposed to working in the management side of things either,” she added. “There is so much here that we created and that we can bring with us moving forward into the career space.” The Phonic Bloom app will launch by the end of 2024. Readers can download the app and learn more about the project at dtc-wsuv.org/projects/phonic-bloom/index.html . The Phonic Bloom art piece can be found at the Woodland Community Library, which is open from 10 a.m. to 6 p.m. Monday through Saturday at 411 Lakeshore Dr. Get our local education coverage delivered directly to your inbox.panalo.999 。

Addressing housing crisis requires action by all levels of government and community partners: United Way Peterborough & District

Giants release quarterback Daniel Jones just days after benching him EAST RUTHERFORD, N.J. (AP) — The Daniel Jones era in New York is over. The Giants quarterback was granted his release by the team just days after the franchise said it was benching him in favor of third-stringer Tommy DeVito. New York president John Mara said Jones approached the team about releasing him and the club obliged. Mara added he was “disappointed” at the quick dissolution of a once-promising relationship between Jones and the team. Giants coach Brian Daboll benched Jones in favor of DeVito following a loss to the Panthers in Germany that dropped New York's record to 2-8. Week 16 game between Denver Broncos and Los Angeles Chargers flexed to Thursday night spot The Los Angeles Chargers have played their way into another prime time appearance. Justin Herbert and company have had their Dec. 22 game against the Denver Broncos flexed to Thursday night, Dec. 19. Friday’s announcement makes this the first time a game has been flexed to the Thursday night spot. The league amended its policy last season where Thursday night games in Weeks 13 through 17 could be flexed with at least 28 days notice prior to the game. The matchup of AFC West division rivals bumps the game between the Cleveland Browns and Cincinnati Bengals to Sunday afternoon. NBA memo to players urges increased vigilance regarding home security following break-ins MIAMI (AP) — The NBA is urging its players to take additional precautions to secure their homes following reports of recent high-profile burglaries of dwellings owned by Milwaukee Bucks forward Bobby Portis and Kansas City Chiefs teammates Patrick Mahomes and Travis Kelce. In a memo sent to team officials, a copy of which was obtained by The Associated Press, the NBA revealed that the FBI has connected some burglaries to “transnational South American Theft Groups” that are “reportedly well-organized, sophisticated rings that incorporate advanced techniques and technologies, including pre-surveillance, drones, and signal jamming devices.” Noodles and wine are the secret ingredients for a strange new twist in China's doping saga Blame it on the noodles. That's what one Chinese official suggested when anti-doping leaders were looking for answers for the doping scandal that cast a shadow over this year's Olympic swim meet. Earlier this year, reports that 23 Chinese swimmers had tested positive for a banned heart medication emerged. None were sanctioned because Chinese authorities determined the swimmers were contaminated by traces of the drug spread about a hotel kitchen. In a strange twist, the leader of China's anti-doping agency suggested this case could have been similar to one in which criminals were responsible for tainting noodles that were later eaten by another Chinese athlete who also tested positive for the drug. A civil jury in Ireland awards woman more than $250k for Conor McGregor sexual assault LONDON (AP) — A civil jury in Ireland has found that mixed martial arts fighter Conor McGregor sexually assaulted a woman in a hotel penthouse after a night of heavy partying. The Dublin jury awarded the woman nearly 250,000 Euros ($257,000) for her lawsuit that claimed McGregor “brutally raped and battered” her Dec. 9, 2018, leaving her heavily bruised and suffering from post-traumatic stress disorder. McGregor testified he never forced her to do anything and that the woman had fabricated her allegations after the two had consensual sex. The jury found for the woman on Friday. Nick Chubb plows through heavy snow for 2-yard TD, giving Browns 24-19 win over Steelers CLEVELAND (AP) — Nick Chubb ran for a 2-yard touchdown in heavy snow with 57 seconds left, and the Cleveland Browns stunned division rival Pittsburgh 24-19, ending the Steelers’ five-game winning streak. The Browns had blown a 12-point lead in the fourth quarter and were down 19-18 before getting the ball back with 3:22 remaining after Pittsburgh punter Corliss Waitman shanked a 16-yarder. With snow piling up and covering the yard lines on the field, Cleveland’s Jameis Winston completed a third-down pass to Jerry Jeudy to the Pittsburgh 9. Two plays later, Chubb barreled into the end zone. The AFC North-leading Steelers fell to 8-3 while the Browns are 3-8. Shohei Ohtani in early stages of rehab from shoulder surgery and hopes to be ready for opening day LOS ANGELES (AP) — Shohei Ohtani is in the early stages of rehabilitation from left shoulder surgery after the World Series. The Los Angeles Dodgers superstar says the goal is for him to be ready to pitch and hit by opening day next March, but he's going to be conservative in his approach and make sure he's totally healthy first. Ohtani won his third MVP award Thursday, and first in the National League. He was in Los Angeles with his wife and beloved dog, Decoy, although because of his surgery four days after the Dodgers' World Series victory over the New York Yankees, the family hasn't been able to celebrate. Caitlin Clark to join Cincinnati bid for 16th National Women's Soccer League team WNBA star Caitlin Clark has joined Cincinnati’s bid for an expansion National Women’s Soccer League team. Major League Soccer franchise FC Cincinnati is heading the group vying to bring a women’s pro team to the city. The club issued a statement confirming Clark had joined the bid group. NWSL Commissioner Jessica Berman has said the league plans to announce the league’s 16th team by the end of the year. The league's 15th team will begin play in 2026 in Boston. In a 'Final Four-type weekend,' two top-6 clashes put women's college basketball focus on West Coast LOS ANGELES (AP) — Two games featuring four powerhouse teams has put the focus in women's college basketball on the West Coast this weekend. JuJu Watkins and No. 3 Southern California host Hannah Hidalgo and No. 6 Notre Dame on Saturday. Top-ranked South Carolina visits Lauren Betts and fifth-ranked UCLA on Sunday. Both games are nationally televised and the arenas are expected to be packed. WNBA scouts will be on hand to check out some of the nation's top talent. Two teams will come away with their first losses of the season. USC coach Lindsay Gottlieb calls it “a Final Four-type weekend.” A documentary featuring Watkins will air on NBC ahead of USC's game, which leads into the Army-Notre Dame football game. Shohei Ohtani wins third MVP award, first in NL. Aaron Judge earns second AL honor in 3 seasons NEW YORK (AP) — Shohei Ohtani won his third Most Valuable Player Award and first in the National League, and Aaron Judge earned his second American League honor on Thursday. Ohtani was a unanimous MVP for the third time, receiving all 30 first-place votes and 420 points in voting by the Baseball Writers’ Association of America. New York Mets shortstop Francisco Lindor was second with 263 points and Arizona second baseman Ketel Marte third with 229. Judge was a unanimous pick for the first time. Kansas City shortstop Bobby Witt Jr. got all 30 second-place votes for 270 points, and Yankees outfielder Juan Soto was third with 21 third-place votes and 229 points.Zoom Q3 Earnings Preview: All eyes on growth in Enterprise unit

ISRO SpaDeX Mission Launch Date, Time: When and Where To Watch Live Streaming of ISRO’s Space Docking Experiment, Its Last Mission in 2024Qatar tribune Tribune News Network Doha Qatar National Library (QNL) celebrated the winners of a student competition that recognised Qatar’s achievements under the leadership of the Father Amir His Highness Sheikh Hamad bin Khalifa Al Thani. The award ceremony featured valuable prizes for the top three winners in each category of the competition, which brought together primary and preparatory school students from across the country on the occasion of Qatar National Day. Participants conducted extensive research to explore the Father Amir’s pivotal role in shaping Qatar’s modern identity and his contributions to education, culture, foreign policy, and humanitarian efforts. The competition was divided into two categories: poster design and article writing. Primary school students created innovative posters that visually depicted key moments in Qatar’s renaissance while preparatory school students wrote insightful essays, on Qatar’s economic and social development, foreign policy, and humanitarian legacy. Maha Al-Naimi, information service librarian at QNL, said the competition aligns with the library’s efforts to enable youth to gain deeper insight into Qatar’s history and the legacy of its leaders. “Empowering youth to understand our history is essential to preserving our nation’s cultural heritage. The competition highlighted the visionary leadership of His Highness the Father Amir and provided students with a platform to express their creativity in documenting his rich legacy,” she explained. Submissions were assessed based on students’ creativity and ability to showcase the profound impact of the Father Amir’s leadership on the nation’s development, as well as their effective use of sources—with a particular emphasis on referencing materials from Qatar National Library. Through such initiatives, the Library furthers its mission to educate and empower the community—particularly youth—by fostering a deeper connection to Qatar’s traditions and history. Copy 24/12/2024 10

“Are you guys chefs or something?” It’s a question Oliver Poilevey, Marcos Ascencio and Alex Martinez get asked a lot when they tailgate at Bears home games. They hear it while setting up their butane burners and putting the blue-and-white tablecloths on their folding tables. They hear it when doing prep work. And they definitely hear it once the various dishes — seafood paella, truffle-topped soft scrambled eggs and brioche French toast with foie gras, for example — are ready and shared with those fortunate to be nearby. No surprise then that the answer is a resounding yes. Poilevey is chef/partner at Le Bouchon, Obelix, Mariscos San Pedro and Taqueria Chingon; Ascencio is chef/partner at Mariscos and Chingon; and Martinez is chef/partner at Mariscos. ( Taqueria Chingon ‘s last day in Wicker Park is Nov. 26, but the search for a new location is underway.) Season ticket holders for the last three years, the trio regularly bring their A-game to their tailgating at the 31st Street parking lot near Soldier Field — even if the Bears don’t bring theirs. Of the three, Poilevey is the biggest Bears fan and gets the most heartbroken over the team’s losses, while Ascencio and Martinez have learned to roll with the inevitable punches. Whether they’re doing a crawfish boil, steakhouse-style fare, or whatever the three conjure up, the menu planning often begins at the previous tailgate. “We’re constantly like, ‘Hey, what should we do next week?’” says Ascencio of the informal planning, which is sometimes influenced by the team the Bears are playing, or more often by what they have on hand at the restaurants. Poilevey admits having top-notch ingredients at their fingertips is a major advantage. For a recent tailgate, the plan was to do dishes that represented all their restaurants. At the end of one Saturday night’s service, the chefs gathered last-minute ingredients for the next day’s tailgate. A large plastic bin was stocked with steaks, duck breasts, caviar, cheese, butter and chorizo. Containers of various sauces, their names and dates clearly marked on blue masking tape, went into the bin too. “You don’t want to save too much of that stuff for the day of, especially if it’s a noon game,” Poilevey says. “You’re waking up at 7 a.m. after working the night before and you will forget something.” Alex Martinez says hello to an octopus while prepping in the kitchen at Mariscos San Pedro in Chicago’s Pilsen neighborhood on Nov. 9, 2024, ahead of a Chicago Bears tailgating adventure the following day. Martinez and fellow chefs Oliver Poilevey and Marcos Asencio, who are Bears season ticket holders, tailgate at many of the team’s home games. Crispy octopus glazed with tare was on the menu at the game. (Chris Sweda/Chicago Tribune) Chef Marcos Asencio works with chorizo to be used in a paella while prepping in the kitchen at Mariscos San Pedro in Chicago’s Pilsen neighborhood on Saturday, Nov. 9, 2024, ahead of a Chicago Bears tailgating adventure the following day. Asencio and fellow chefs Oliver Poilevey (cq) and Alex Martinez (cq), who are Bears season ticket holders, tailgate at many of the team’s home games. (Chris Sweda/Chicago Tribune) Chef Marcos Asencio cuts up chorizo to be used in a paella while prepping in the kitchen, Nov. 9, 2024, ahead of a Chicago Bears tailgating adventure. (Chris Sweda/Chicago Tribune) Chef Marcos Asencio organizes items to be used in a paella, Nov. 9, 2024, ahead of a Chicago Bears tailgating adventure the next day. (Chris Sweda/Chicago Tribune) Chef Marcos Asencio scans a cooler while prepping in the kitchen at Mariscos San Pedro ahead of his Chicago Bears tailgating adventure the next day. (Chris Sweda/Chicago Tribune) Alex Martinez breaks eggs for a French scramble dish while prepping in the kitchen at Mariscos San Pedro on Nov. 9, 2024, ahead of a Chicago Bears tailgating adventure. (Chris Sweda/Chicago Tribune) Alex Martinez uses an immersion blender to mix eggs and cream for a French scramble eggs dish while prepping in the kitchen at Mariscos San Pedro in Chicago’s Pilsen neighborhood on Nov. 9, 2024, ahead of a Chicago Bears tailgating adventure the following day. (Chris Sweda/Chicago Tribune) Alex Martinez says hello to an octopus while prepping in the kitchen at Mariscos San Pedro in Chicago’s Pilsen neighborhood on Nov. 9, 2024, ahead of a Chicago Bears tailgating adventure the following day. Martinez and fellow chefs Oliver Poilevey and Marcos Asencio, who are Bears season ticket holders, tailgate at many of the team’s home games. Crispy octopus glazed with tare was on the menu at the game. (Chris Sweda/Chicago Tribune) Aiding in the preparation process is a ready-to-go kit that includes the basics — dubbed “the Bear essentials” — such as towels, knives, seasonings, wipes, cutting boards and utensils. Post-game, the kit goes back to one of the restaurants where items are cleaned and replaced as needed. An avid camper, Ascencio takes charge of the kit. Ideally, everything goes back in the box, except for that time when the salt didn’t (don’t ask). On game day, Ascencio typically arrives first as his SUV is packed with the equipment, kit and coolers. The unpacking of it resembles those circus clown cars with item after item endlessly coming out. Setup, on the other hand, looks like a race car pit change with each chef quickly organizing their respective stations. Conversation isn’t needed as they know exactly what to do. Ascencio lights the charcoal for the small Japanese grill and sets up the paella propane cooker, while Poilevey readies the snacks, such as freshly shucked oysters, pate en croute and raw tuna topped with salsa negra. “We like to have something to eat as we work,” says Poilevey, who’s also in charge of caviar bumps. “This man never leaves the house without caviar,” quips his girlfriend, Sonia Balzak. Freshly baked croissants and doughnuts grabbed from Obelix that morning are unboxed. Meanwhile, Martinez is warming up duck consommé, which will be paired with maitake mushrooms that Poilevey has thinly sliced and placed into cups for easy serving. Chicken stock for paella is warmed up on a second butane burner. Once it’s done, Martinez will get started on the soft scrambled eggs prepared in a bain-marie. Their handiwork hasn’t gone unnoticed. “You guys are fun to watch,” says Clarence Boot of Naperville, who, along with two friends, has been eyeing the chefs from their neighboring spot. “You guys are doing it right,” adds Dick Patton, also from Naperville. After the duck consommé is served — a paper cup is MacGyvered as a ladle as they forgot to bring one — Martinez gets to work on the torre de mariscos, think a multi-layered cake but with tuna, octopus, shrimp and scallops. The fish tower rests on a bed of red and green salsas and is topped with sliced avocado. Poilevey steps away from his station to help man the grill and lightly sears Wagyu steak, octopus and duck breasts. Those are topped simply with salt and sliced, making for tasty finger food. “Typically, we’re not trying to put together really complex dishes with a bunch of ingredients,” Poilevey says. “It’s more about really great product, cooked well and seasoned right.” Little by little friends and co-workers arrive, as do the Champagne splits, bottles of wine and beer. The tequila comes out later. “They all know we tailgate for home games and are invited,” Martinez says. Ascencio is now in full paella mode, methodically adding each ingredient to the large pan. There’s chorizo, mussels, shrimp, calamari and squid in addition to the rice. Chicken stock is added in waves. At 10:30 a.m., the finished product is topped with peas and drizzled with a spicy crema before being handed out to anyone who asks, including some who have gotten to know the trio from previous tailgates and search them out. “If you’re making something nice, bring enough to share,” Ascensio says. “Spreading love is what food and hospitality is about.” “Oh, paella, holy s−−−,” shouts a guy walking by. “That’s a work of art.” At the parking spot next door, Robert McClendon of Crown Point, Indiana, has been watching closely, sampling dishes here and there. Initially, he wasn’t so sure about the paella, but after trying it, he comes back for a heaping plate to bring home to his wife. “I’m glad we got parked next to them,” he says. Sharing their culinary knowledge is a big part of the chefs’ tailgating experience. “It’s not only about cooking and enjoying that but also educating too,” Martinez says. “We like to show people what we do and introduce them to new stuff.” An added bonus: Some of those folks end up visiting the restaurants. By 11 a.m. attention turns to cleanup. There is, after all, a Bears game to go to in case you forgot. Like other aspects of their tailgating, that has a system too. Early on, Ascencio sourced out where still-warm coals and garbage can be discarded, a process that’s been ongoing. Another tip? “I always tell people when they tailgate to clean as you go,” he says. Similar to setup, the breakdown is equally disciplined, although now those co-workers and friends help. Soon the only evidence of their tailgating is a small piece of octopus on the ground. Then they start their 30-minute trek to Soldier Field. So why would these chefs want to spend their day off once again cooking for others? “We don’t turn this off. It’s in our blood,” Poilevey says. “We’re chefs for a living because we love to cook and host and that carries over to all other aspects of our lives.” Lisa Shames is a freelance writer.Opus One Gold Corporation Announces Closing of Private PlacementIn recent years, the concept of Digital Public Infrastructure (DPI) has gained significant attention from the international community, including the UN and the G20, as a new policy paradigm for development. But understanding the risks of DPI is crucial to ensuring that its potential benefits materialise. The risks stem from the fact that “digital public infrastructure” lacks a clear definition. The term encompasses the many digital technologies that serve as economic and social infrastructure, from digital identification and payment systems to data exchanges and health services. As a policy initiative, though, DPI refers to a vague vision of using these technologies to serve the public interest. This could result in the Internet and technological innovation working for everyone – or just as easily turn them into tools for political control. In discussions about DPI, policymakers often point to cases that highlight how technology and connectivity can spur development. They frequently cite India’s Unified Payments Interface, which has expanded financial inclusion and reduced the costs of digital transactions for its hundreds of millions of users. It is also understood that such infrastructure is to be built with Digital Public Goods (DPGs), a concept that encompasses open-source software, open standards, and other non-proprietary components. This definition is partly intended to position DPIs as being “for the public” but also to enhance competition and mitigate concentrations of power in the global digital economy. Lastly, proponents point out that DPI could bolster international co-operation, particularly as the 20-year review of the World Summit on the Information Society (WSIS) approaches. This important UN initiative has provided the framework for countries to collaborate on digital development. Although authoritarian states have previously sought to assert greater control over the Internet’s governance during these negotiations, a focus on promoting DPI could avoid this politicised debate and instead foster a constructive agenda to bridge digital divides. But basing policy on such an ill-defined concept poses significant risks. Ideally, governments would convene other stakeholders to create an enabling environment for DPI and safeguard users’ rights and interests. It is easy to imagine, however, that some governments will place their own interests above civil liberties and fundamental rights, using this infrastructure for surveillance and targeting in the name of law enforcement or national security. An especially pernicious example could involve the monitoring and regulation of individual behaviour through dystopian social-credit systems. Moreover, while many proponents hope that DPI could chip away at Big Tech’s outsize power, it has also been associated with narratives of digital sovereignty that could contribute to the Internet’s fragmentation – a systemic threat to global communications. For example, one can imagine scenarios in which some governments challenge the multi-stakeholder model for governing global Internet resources like IP addresses and domain names on the grounds that they constitute DPIs. The policy vision of DPI will continue to evolve, and ongoing discussions, it is hoped, will help identify and clarify further opportunities and risks. Initiatives such as the UN’s Universal DPI Safeguards Framework, which seeks to establish guardrails for DPI, are a promising start. But much more must be done. For example, the UN’s framework has recognised the need for continuous learning to ensure that the right safeguards are in place. As the concept of DPI gains traction in the UN system and other multilateral organisations, vigorous and informed debate regarding its potential advantages – and pitfalls – will be essential. With clear-cut policy guidelines and protections, we can help prevent these technologies from becoming tools for surveillance and repression, ensure that everyone benefits from the burgeoning digital economy, and keep the Internet open, globally connected, and secure. – Project Syndicate Related Story QNB recognised as 'Best Digital Experience' in Qatar Qatar establishes WEF's Centre for Fourth Industrial Revolution

It’s beginning to look a lot like Christmas, and for the first time, the major social platforms are running big, even full-screen promotions for their own subscription offerings and products within their apps. Which, in some ways, makes perfect sense, maximizing their reach capacity to boost their business. But in others, it feels a little intrusive, and in some cases, even a little desperate. First off, X has started running full-screen pop-up promos for X Premium, which are difficult to even get rid of on screen, due to the “x” in the top left being obscured by the coloring. Yes, X is still super keen to get people to pay to use the app. Despite the app losing users , and despite less than 1% of its audience actually paying for X Premium thus far. Subscriptions had been a key pillar of Elon Musk’s initial growth plan for X , with Musk projecting that X Premium subscriptions (which, at that stage, was called “Twitter Blue”) would rise to 9 million users by this stage of his reformat of the app, bringing in millions of dollars in supplemental revenue. Thus far, around 1.3 million profiles are estimated to have signed up for the program. Musk also projected that X Premium would reach 104 million subscribers by 2028, thereby diluting X’s reliance on ad revenue. And if it still wants to reach those goals, it’s going to need to enact more pushes like this full-screen takeover to maximize awareness. Like, also, X Premium gifting : Look, I don’t think anything is going to get millions more people signing up for X Premium, which is just not that enticing an offering for most at this stage. But X is still keen to make Premium happen, and it’s using whatever means it can in the app to maximize take-up. Meta is also using its valuable ad space to promote its VR headsets, which are the key to its future metaverse ambitions. As you’ve no doubt seen for yourself, right now, Meta is running top-of-feed promotions for Meta Quest, on both Facebook and IG, as it seeks to get more people into its VR experiences. Though similar to X Premium, the hard sell for Meta is that there aren’t that many good reasons to buy a VR headset as yet, as the available experiences just aren’t that compelling. The technology is amazing, and more and more games and features are being rolled out, which will no doubt attract more interest over time. But at this stage, it’s not a must-have tech gadget, with the available VR apps still fairly limited. But either way, exposing ads to billions of users can’t hurt. Finally, Snapchat is also pumping out promotions for Snapchat+, directly into user inboxes. That feels a little intrusive, and all of these promos are a little overbearing, making these apps feel more like shopping tools than social platforms. But they’re also pretty easy to ignore. And in the modern age, we’ve all gotten much better at ignoring the influx of promotions being pumped into our feeds. But it is an interesting shift either way, with the apps becoming more direct commercial entities, and transforming into large-scale advertisers in their own right. And they have access to the most attention-grabbing promo options in their own tools. Which is probably not a great trend, but as social apps look to further commodify their experiences, this may be the new norm.Austin, Dec. 14, 2024 (GLOBE NEWSWIRE) -- The SNS Insider report indicates that, “ The Surface Disinfectant Market size was valued at USD 5.4 billion in 2023, and is expected to reach USD 10.3 billion by 2032, and grow at a CAGR of 7.5% over the forecast period 2024-2032. ” The Surface Disinfectant Market is experiencing significant growth driven by heightened hygiene awareness, the rise in healthcare-associated infections, and stringent government regulations enforcing sanitation standards. Demand for advanced disinfectant solutions is particularly strong in healthcare, hospitality, and residential sectors, where maintaining a germ-free environment is essential. Companies are innovating to develop faster, more effective, and eco-friendly products, exemplified by Diversey’s launch of Oxivir Three 64 in May 2024 and SC Johnson's new disinfectant line in May 2023. Additionally, research published in May 2023 confirmed the efficacy of alcohol-based disinfectants against emerging pathogens like the monkeypox virus. With technological advancements and sustainability trends shaping market dynamics, there is a growing emphasis on safer formulations, such as bio-based and accelerated hydrogen peroxide disinfectants, creating new opportunities for market participants while reflecting a competitive landscape focused on meeting the rising demand for superior hygiene solutions. Download PDF Sample of Surface Disinfectant Market @ https://www.snsinsider.com/sample-request/3602 Key Companies: 3M Company (C. diff Solution Tablets, HB Quat Disinfectant Cleaner) BASF SE (Glutaraldehyde-based disinfectants, Hydrogen peroxide solutions) Diversey Holdings, Ltd. (Oxivir TB, Virex II 256) Ecolab (Oasis Pro 66, Peroxide Multi Surface Cleaner and Disinfectant) Evonik Industries AG (Vestocide, Protectol PE) GOJO Industries, Inc. (PURELL Healthcare Surface Disinfectant, PURELL Professional Surface Disinfectant) Henkel AG & Co. KGaA (Pril Surface Cleaner, Bref Power Cleaner) Johnson & Johnson Consumer Health (Band-Aid Antiseptic Wash, Neosporin Wound Cleanser) Kimberley-Clark Corporation (KCWW) (Kimcare Antibacterial Surface Cleaner, Scott 24 Hour Sanitizing Wipes) Medline Industries (Micro-Kill R2, Micro-Kill One Germicidal Alcohol Wipes) PDI Inc. (Super Sani-Cloth Germicidal Wipes, Sani-Prime Germicidal Spray) Procter & Gamble (Microban 24 Sanitizing Spray, Comet Disinfecting Cleaner) Reckitt Benckiser Group PLC (Lysol Disinfecting Spray, Dettol Antibacterial Surface Cleaner) SC Johnson Professional (TruShot Disinfectant, Windex Multi-Surface Disinfectant Cleaner) Spartan Chemical Company (TB-Cide Quat, Halt Disinfectant Cleaner) Steris (Spor-Klenz Ready-to-Use Disinfectant, Vesphene II SE Disinfectant) The Clorox Company (Clorox Healthcare Bleach Germicidal Wipes, Clorox Disinfecting Mist) Unilever (Domestos Surface Spray, Cif Pro Formula) W.M. Barr (Klean-Strip Disinfectant Cleaner, Mold Armor Mold and Mildew Killer) Whiteley Corporation (Viraclean, Hypochlor) Surface Disinfectant Market Report Scope: If You Need Any Customization on Surface Disinfectant Market Report, I nquire Now @ https://www.snsinsider.com/enquiry/3602 What are the growth factors of the Surface Disinfectant market? The growth of the Surface Disinfectant market is primarily driven by several factors: The increasing focus on sanitation in healthcare settings, where surface disinfectants are crucial in controlling infections, has driven the growth of the market. The food sector is heavily investing in surface disinfectants to ensure hygiene and safety, with stringent regulations being enforced globally. Increased awareness about the importance of clean environments, especially post-COVID-19, has made disinfectants a staple in homes and commercial spaces. Supply Chain Analysis of the Surface Disinfectant Market The Surface Disinfectant market shows varied adoption across sectors, with healthcare leading at 40% adoption and an 8.5% CAGR, driven by heightened hygiene protocols and infection prevention. The food and beverage industry follows at 25% adoption with a 7.2% CAGR, due to strict food safety standards. Residential and commercial spaces account for 20% of adoption and a 6.8% CAGR, as consumer hygiene awareness increases. Retail and wholesale stores represent 15% with a 5.9% CAGR, driven by cleanliness standards and public health concerns. Additionally, the rise in demand for eco-friendly disinfectants and regulations in regions like Europe further boosts market growth across these industries. Which segment dominated the Synthetic Paper Market? In 2023, the hospitals and clinics segment dominated the surface disinfectant market, holding around 40% of the market share. This dominance is driven by the stringent hygiene standards and infection control requirements in healthcare environments. Hospitals and clinics rely on high-performance disinfectants to sanitize surfaces, medical equipment, and patient areas. Alcohol-based and hydrogen peroxide-based disinfectants are commonly used in these settings due to their quick action and effectiveness against pathogens such as bacteria, viruses, and fungi. The essential need for infection prevention in healthcare facilities ensures sustained demand for disinfectants in this sector. Recent Developments April 2023: SC Johnson unveiled its new FamilyGuardTM Brand Disinfectant Line, enabling families to maintain a clean and safe environment while enjoying activities without worry. January 2023: Medline partnered with Integrated UVC Solutions to advance UV disinfection in healthcare. Through this collaboration, Medline will distribute the Spectra 1000 device, providing integrated surface and air disinfection solutions to healthcare providers. Speak with O ur E xpert A nalyst T oday to G ain D eeper I nsights @ https://www.snsinsider.com/request-analyst/3602 Regional Analysis In 2023, North America dominated the Surface Disinfectant market in 2023, holding a market share of 40%. This is largely attributed to the region’s advanced healthcare infrastructure, high consumer awareness regarding hygiene, and the increased use of disinfectants in both residential and commercial spaces. Moreover, the COVID-19 pandemic had a profound impact on the market, leading to a long-lasting demand for disinfectants in public areas, healthcare settings, and food service industries. In addition, U.S. government regulations on cleanliness and infection control have further supported the dominance of this region. The Surface Disinfectant Market is poised for strong growth, driven by innovations in product formulations and a rising demand for hygiene solutions across various sectors. The market's growth is primarily fueled by the increasing adoption of disinfectants in healthcare and food safety, as well as heightened consumer awareness around cleanliness and health. Table of Contents – Major Key Points 1. Introduction Market Definition Scope (Inclusion and Exclusions) Research Assumptions 2. Executive Summary Market Overview Regional Synopsis Competitive Summary 3. Research Methodology Top-Down Approach Bottom-up Approach Data Validation Primary Interviews 4. Market Dynamics Impact Analysis Market Driving Factors Analysis PESTLE Analysis Porter’s Five Forces Model 5. Statistical Insights and Trends Reporting Production Capacity and Utilization, by Country, by Region, 2023 Raw Distribution Channel Pricing Analysis, by Country, by Region, 2023 Regulatory Impact, by Country, by Region, 2023 Environmental Metrics: Emissions Data, Waste Management Practices, and Sustainability Initiatives, by Region Innovation and R&D, by Region, 2023 6. Competitive Landscape List of Major Companies, By Region Market Share Analysis, By Region Product Benchmarking Strategic Initiatives Technological Advancements Market Positioning and Branding 7. Surface Disinfectant Market Segmentation, by Composition 8. Surface Disinfectant Market Segmentation, by Form 9. Surface Disinfectant Market Segmentation, by End-use 10. Surface Disinfectant Market Segmentation, by Distribution Channel 11. Regional Analysis 12. Company Profiles 13. Use Cases and Best Practices 14. Conclusion Buy Full Research Report on Surface Disinfectant Market 2024-2032 @ https://www.snsinsider.com/checkout/3602 Buying Options 5 Reports Pack (USD 7500) 10 Report Pack (USD 12000) Vertical Subscription (150 Reports Pack Valid for 1 Year) Use this link to Purchase above packs @ https://www.snsinsider.com/subscription [For more information or need any customization research mail us at info@snsinsider.com ] About Us: SNS Insider is one of the leading market research and consulting agencies that dominates the market research industry globally. Our company's aim is to give clients the knowledge they require in order to function in changing circumstances. In order to give you current, accurate market data, consumer insights, and opinions so that you can make decisions with confidence, we employ a variety of techniques, including surveys, video talks, and focus groups around the world.

HAMILTON, Bermuda, Dec. 23, 2024 (GLOBE NEWSWIRE) -- Enstar Group Limited ("Enstar”) (NASDAQ: ESGR) announced today that it has completed the previously announced transaction between one of its wholly owned subsidiaries and certain subsidiaries of James River Group Holdings, Ltd. ("James River”), following receipt of the relevant regulatory approval and satisfaction of the other closing conditions. Under the terms of the adverse development cover ("ADC”) agreement, Enstar's subsidiary has provided $75 million of limit in excess of the existing $160 million ADC reinsurance coverage provided to such subsidiaries of James River by State National Insurance Company, Inc. earlier this year. The transaction provides further protection against future adverse reserve development for certain U.S. casualty exposures within James River's Excess & Surplus Lines segment for accident years 2010 to 2023. Enstar's subsidiary also closed on its previously announced $12.5 million investment in James River common stock. About Enstar Enstar is a NASDAQ-listed leading global insurance group that offers innovative capital release solutions through its network of group companies in Bermuda, the United States, the United Kingdom, Continental Europe, Australia, and other international locations. A market leader in completing legacy acquisitions, Enstar has acquired more than 120 companies and portfolios since its formation in 2001. For further information about Enstar, see www.enstargroup.com. Contact: For Enstar: For Investors: Matthew Kirk ( [email protected] ) For Media: Jenna Kerr ( [email protected] )

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Water Treatment Polymers Market Projected to Reach USD 76.09 Billion by 2032 | Rising Water Scarcity and Environmental Concerns Propel Market Growth( MENAFN - Daily News Egypt) Nabil Habashi, Deputy Minister of Foreign Affairs, participated in the 51st Annual conference of the Association of Egyptian American Scholars, held in the New Administrative Capital on Sunday. At the conference's opening, Habashi delivered a speech on behalf of Minister of Foreign Affairs Badr Abdelatty, extending the Minister's greetings and best wishes for a successful event. He emphasized the conference's alignment with the Ministry's goals of strengthening connections between Egyptians abroad and their homeland. Habashi stressed the importance of utilizing the expertise, skills, and knowledge of Egyptian expatriates to support Egypt's development, particularly through the fields of science, education, and scientific research, which are seen as crucial pillars for human development and the establishment of advanced, technology-driven projects. The Deputy Foreign Minister also highlighted the Ministry's efforts to enhance communication with Egyptians living abroad. These efforts include improving resources, addressing expats' needs, and resolving issues through collaboration with various governmental bodies. Habashi pointed out the recent achievements made after the integration of the Ministry of Emigration and the Affairs of Egyptians Abroad into the Ministry of Foreign Affairs. This integration has significantly increased efficiency, improved services, and accelerated the delivery of support to Egyptians overseas. In his concluding remarks, Habashi reaffirmed the Ministry's commitment to maintaining ongoing communication with Egyptian scientists and students around the world. He encouraged them to contribute their expertise to Egypt's development, particularly in areas such as education, industry, healthcare, renewable energy, digital transformation, and modern scientific disciplines. He urged Egyptian scientists abroad to actively engage with national initiatives aimed at Egypt's modernization and development. Founded over half a century ago, the“Association of Egyptian American Scholars” brings together leading Egyptian scientists from universities, research institutions, and industries across the United States and Canada. The Association organizes an annual meeting in Egypt to contribute to the nation's development efforts, especially in the realms of education and scientific research. MENAFN24122024000153011029ID1109028657 Legal Disclaimer: MENAFN provides the information “as is” without warranty of any kind. We do not accept any responsibility or liability for the accuracy, content, images, videos, licenses, completeness, legality, or reliability of the information contained in this article. If you have any complaints or copyright issues related to this article, kindly contact the provider above.

Iranian authorities have officially lifted the ban on WhatsApp and the Google Play Store, signalling a significant shift in the country's internet restrictions, the Islamic Republic News Agency (IRNA) reported. The decision, which comes after a meeting with top government officials, marks a new phase in the easing of internet blockades that have restricted access to major global platforms for some time. On Tuesday, a meeting was convened with the participation of heads of all three branches of government, ministers, and members of the Supreme Council, where discussions focused on reviewing and adjusting policies surrounding internet governance and restrictions. Following the presentation of assessments from relevant authorities, the council approved changes to the existing internet restrictions. Sattar Hashemi, Iran's Minister of Information and Communications Technology, later took to X (formerly Twitter) to announce the development, stating, "Today, we took the first step towards lifting internet restrictions with unity and collaboration. I extend my gratitude to the President, media, and activists for their efforts. We need this solidarity more than ever. This path continues." The move to lift the ban aligns with the Iranian government's broader approach to managing its digital landscape, emphasising the importance of regulated cyberspace governance while also stressing the need to support domestic platforms, reported the IRNA. The lifting of internet restrictions was one of the key promises made by President Masoud Pezeshkian during his presidential campaign, and this decision marks an early fulfilment of that commitment. However, despite the progress, the government has emphasised that its approach will continue to prioritise the development and use of local platforms alongside the reintroduction of global services like WhatsApp and Google Play, the IRNA reported. As these changes unfold, the broader impact on both local businesses and individual users is still to be fully assessed, but the easing of restrictions is a significant step forward for internet freedom in Iran. (Except for the headline, this story has not been edited by NDTV staff and is published from a syndicated feed.)Saquon Barkley hits 2K yards, Eagles crush Cowboys to win division