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Jacques Audiard’s audacious musical “Emilia Pérez,” about a Mexican drug lord who undergoes gender affirming surgery, led nominations to the 82nd Golden Globes on Monday, scoring 10 nods to lead it over other contenders like the musical smash “Wicked,” the papal thriller “Conclave” and the postwar epic “The Brutalist.” The nominations for the Globes, which will be televised by CBS and streamed on Paramount+ on Jan. 5, were announced on Monday morning by Mindy Kaling and Morris Chestnut. The embattled Globes, which are no longer presented by the Hollywood Foreign Press Association, are still in comeback mode after years of scandal and organizational upheaval. Working in the Globes favor this year: a especially starry field of nominees. Zendaya, Timothée Chalamet, Angelina Jolie, Daniel Craig, Denzel Washington, Ariana Grande, Cynthia Erivo, Glen Powell and Selena Gomez all scored nominations. The young Donald Trump drama “The Apprentice” also landed nominations for its two central performances, by Sebastian Stan as Trump and Jeremy Strong as Roy Cohn. The president elect has called “The Apprentice” a “politically disgusting hatchet job" made by "human scum.” How much the recent president election will figure into Hollywood's awards season remains to be seen. In the season's first awards ceremony, the Gotham Awards, Trump went unmentioned but sometimes alluded to. Stan also received a nomination Monday for the dark comedy “A Different Man.” While “Oppenheimer” and, to a lesser degree, “Barbie,” sailed into the Globes nominations as the clear heavyweights of awards season, no such frontrunner has emerged this year — and, with the exception of “Wicked," most of the contenders are far lighter on box office. The Globes don’t often align with the Academy of Motion Pictures Arts and Sciences, a much larger group that far more closely reflects the film industry. But they can give movies a major boost, and ripe fodder for their awards marketing. Netflix, which acquired “Emilia Pérez” after its Cannes Film Festival debut, dominated the nominations, leading all studios in both film nods (13) and in the TV categories (23). “Emilia Pérez," an operatic genre-skipping movie that combines elements of a narco thriller, a Broadway musical and a trans drama, scored nominations for its three stars: Karla Sofía Gascón, Zoe Saldaña and Gomez. No comedy or musical has ever received more Globe nominations. Brady Corbet’s “The Brutalist” landed seven nominations, including best picture, drama, and acting nods for Adrien Brody and Guy Pearce. The soon-to-be-released film, from A24, is uncommonly ambitious, with a runtime of three-and-a-half hours, including an intermission. A24 narrowly trailed Netflix in the film categories, scoring 12 nominations overall, including best actor, drama, for Hugh Grant's darkest turn yet in the horror film “Heretic.” Grant, in a statement, thanked the directors, Scott Beck and Bryan Woods “for spotting my need to kill." Close behind it was Edward Berger’s “Conclave,” starring Ralph Fiennes as a cardinal tasked with leading the conclave to elect a new pope. It landed six nominations, including best picture, drama, and acting nods for Fiennes and Isabella Rossellini. Sean Baker's Palme d'Or-winning “Anora,” starring Mikey Madison as a Brooklyn sex worker who marries the son of a Russian oligarch, was nominated for five awards, including best picture, comedy or musical, and best female actor for Madison and best supporting actor for Yura Borisov. The Globes will be hosted by comedian Nikki Glaser, who scored her own nomination for best stand-up special. CBS, which began airing the Globes last year on a new deal, will hope Glaser manages to do better than last year’s emcee, Jo Koy, whose stint was widely panned. The nominees for best motion picture drama are: “The Brutalist”; “A Complete Unknown,”; “Conclave”; “Dune: Part Two”; “Nickel Boys;” “September 5.” The nominees for best film musical or comedy are: “Wicked”; “Anora”; “Emilia Pérez”; “Challengers”; “A Real Pain”; “The Substance.” Coralie Fargeat's gory body horror satire “The Substance," starring Demi Moore as an actress who resorts to extremes to stay young in a Hollywood obsessed with young beauty, landed five nominations overall, including nods for both Moore and her younger doppelganger, Margaret Qualley. Among animated movies, DreamWorks' “The Wild Robot” also had an especially good day. The tale of the shipwrecked robot came away with four nominations, including one for cinematic and box office achievement, a relatively new category populated by big ticket-sellers like “Deadpool & Wolverine” and “Inside Out 2.” The strong showing suggests the other animated nominees — “Flow,” “Inside Out 2," “Memoir of a Snail," “Moana 2," “Wallace and Gromit: Vengeance Most Fowl” — may have a hard time besting “The Wild Robot.” The Bob Dylan film “A Complete Unknown," starring Chalamet, also had a lot to celebrate. Coming off an endorsement from Dylan, himself, the film landed nominations for Chalamet, Edward Norton (who plays Woody Guthrie) and best picture, drama. Pamela Anderson also landed her first Golden Globe nomination. In “The Last Showgirl,” Anderson plays an aging Las Vegas showgirl, a performance that's led to the best reviews of Anderson's career. She was nominated for best female actor, drama, alongside Jolie ("Maria"), Nicole Kidman ("Babygirl"), Tilda Swinton ("The Room Next Door"), Fernanda Torres ("I'm Still Here") and — in a surprise — Kate Winslet ("Lee"). Anderson, reached by video conference Monday, said she put her whole life into the film. “I was making pickles and jam. I didn’t think I’d be doing any more in this industry,” said Anderson. “I was a little disappointed in myself and was kind of reassessing some of my life choices. But then this came up.” “The Bear,” which dominated the 2024 Globes, led all series with five nominations for its third season. That included nods for Jeremy Allen White, Ayo Edebiri, Liza Colón-Zayas and Ebon Moss-Bachrach. Its stiffest competition this year might come in the FX series “Shogun" (four nominations, including acting nods for Anna Sawai and Hiroyuki Sanada) or Apple TV's “Slow Horses" (nods for Gary Oldman and Jack Lowden). “Only Murders in the Building” again led the comedy or musical category, with nominations for it stars Steve Martin, Martin Short and Gomez, her second nomination to go with hers for "Emilia Pérez." The Globes aren’t ever quite drama-free, but things have settled down for the embattled awards body. After The Los Angeles Times reported that the HFPA voters included no Black members, among other issues, most of Hollywood boycotted the show and the 2022 ceremony was scrapped. Last January's Globes were the first after the disbanding of the HFPA and their acquisition by Dick Clark Productions and billionaire Todd Boehly’s private equity firm Eldridge Industries. However, earlier this fall, the Ankler reported that former members of the HFPA filed a letter with the California attorney general’s office questioning “the validity of the purchase.” Though the 2024 Globes were mostly panned, ratings improved. According to Nielsen, some 9.5 million watched, leading CBS to give the show a five-year deal. Last year, the Globes introduced two new categories that remain this time around: the cinematic and box office achievement award and the best performance in stand-up comedy on television. One tweak this time comes in the lifetime achievement awards. This year, those are going to Ted Danson (for the Carol Burnett Award) and Viola Davis (for the Cecil B. DeMille Award). Those will be handed out in a gala dinner on Friday, Jan. 3, two days before the Globes. AP's Ryan Pearson in Los Angeles contributed to this report. For more coverage of the 2025 Golden Globe Awards, visit: https://apnews.com/hub/golden-globe-awards

AvidXchange CEO Michael Praeger sells $483,296 in stockNone( MENAFN - EIN Presswire) 3D Animation Global market Report 2024 - Market Size, Trends, And Global Forecast 2024-2033 The Business Research Company's Early Year-End Sale! Get up to 30% off detailed market research reports-for a limited time only! LONDON, GREATER LONDON, UNITED KINGDOM, December 18, 2024 /EINPresswire / -- The Business Research Company's Early Year-End Sale! Get up to 30% off detailed market research reports-limited time only! Unprecedented growth continues to characterize the global 3D animation market. Ascending from $22.5 billion in 2023 to $24.89 billion in 2024, the market registers a sturdy compound annual growth rate CAGR of 10.6%. This robust expansion has been spurred by a growing demand from the ever-evolving entertainment industry, along with diversified applications in the healthcare and education sectors, the globalization of animation studios, cost efficiency in production, and expanding application areas. Attentive observers are enthused by the market's future scenario. Expected to witness lightning-fast growth over the next few years, the 3D animation market is projected to soar to $38.69 billion in 2028, securing a compound annual growth rate CAGR of 11.7%. This imminent growth is primarily attributable to the emergence of real-time 3D animation, expanding applications in simulation and training, increasing adoption of e-learning and virtual events, and a host of innovations paving the way towards immersive technologies integration, real-time rendering advancements, cloud-based animation services, AI and machine learning integration. What factors are fueling the growth of the 3D animation market? The increasing adoption of visual effects technology in movies, across the media and entertainment sectors worldwide, is significantly contributing to market growth. Visual effects VFX and 3D animation in filmmaking offer illusory realities, fabricating or manipulating non-existent on-screen imagery. With VFX, filmmakers can create surrealistic depictions of locations, entities, or individuals that are impossible or difficult to film in a live-action context. Notably, as per Invest India, India's Media and Entertainment industry is set to burgeon to an impressive $55-70 billion by 2030 at a 10-12% CAGR, propelled by OTT, Gaming, Animation, and VFX. This rising penchant for visual effects technology in movies is expected to supercharge the 3D animation market growth in the near term. Take a sneak-peek into our comprehensive market research report: Who are the frontrunners in the 3D animation market? Leading the market charge are distinguished companies such as NVIDIA Corporation, Adobe Inc., Autodesk Inc., and Trimble Inc. Other significant players include Unity Technologies SF, Lucasfilm Ltd. LLC, DNEG Ltd., Animal Logic Pty Ltd., Method Studios LLC, and Blue Sky Studios LLC. The market sphere is further invigorated by Weta Digital Limited, Corel Corporation, Laika LLC, Sony Corporation, Chaos Group, Smith Micro Software Inc., NewTek Inc., MAGI Corporation, SideFX Software Inc., Reallusion Inc., Toon Boom Animation Inc., Maxon Computer Inc., Zco Corporation, Pixologic Inc., The Foundry Visionmongers Limited, Electric Image Inc., Corastar Inc., Foundry Nuke Limited, Moving Picture Company Limited, Framestore Limited, Epic Games Inc., Crystal CG International Limited. Unearthing Emerging Trends and Strategies in the 3D Animation Market Key players in the 3D animation market are harnessing advanced solutions, including AI technology, to cater to a surging demand for more efficient and realistic animation experiences. AI technology refers to systems or machines designed to emulate human intelligence processes, encompassing learning, reasoning, and problem-solving. In a recent example, Adobe, a US-based software colossus, in June 2021, launched Substance 3D tools leveraging AI technology for immersive creation with the intent to produce more realistic special effects, gaming, and entertainment imagery. Substance 3D aims at equipping veteran 3D artists with the latest technology, while also making the medium accessible for new 3D enthusiasts. Acquire an in-depth understanding of the market and its future growth potential: How is the 3D animation market segmented? The 3D animation market thoroughly encapsulates: 1 By Deployment Mode: On-Premise, Cloud 2 By Technique Type: 3D Modeling, Motion Graphics, 3D Rendering, Visual Effects 3 By Service: Consulting, Support And Maintenance, Integration And Deployment, Education And Training 4 By End Use: Media And Entertainment, Architecture And Construction, Education And Academics, Manufacturing, Healthcare And Life Sciences, Government And Defense, Others End-Uses Region-Wise Growth Insights In terms of market share, North America emerged as the most significant player in the 3D animation market in 2023, and Asia-Pacific is projected to be the fastest-growing region during the forecast period. The comprehensive report covers regions including Asia-Pacific, Western Europe, Eastern Europe, North America, South America, Middle East, and Africa. Browse Through More Similar Reports By The Business Research Company: 3D Printer Global Market Report 2024 3D Scanning Global Market Report 2024 3D Bioprinting Global Market Report 2024 About The Business Research Company Learn More About The Business Research Company. With over 15000+ reports from 27 industries covering 60+ geographies, The Business Research Company has built a reputation for offering comprehensive, data-rich research and insights. Armed with 1,500,000 datasets, the optimistic contribution of in-depth secondary research, and unique insights from industry leaders, you can get the information you need to stay ahead in the game. Contact Us: The Business Research Company Americas +1 3156230293 Asia +44 2071930708 Europe +44 2071930708 Email Us: ... 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Experts urge stronger collaboration in cybersecurity among OIC nations Islamabad:The Secretariat of the Organisation of Islamic Cooperation’s (OIC) Standing Committee on Scientific and Technological Cooperation (COMSTECH) hosted a two-day international workshop on the ‘Cybersecurity Landscape in OIC Countries: Issues and Prospects’ at its headquarters in Islamabad. The workshop, which began on Tuesday, was jointly organized by COMSTECH and Huawei Technologies Pakistan Pvt. Ltd., focusing on addressing the critical challenges and opportunities in the realm of cybersecurity across the OIC member countries. The event attracted a distinguished lineup of cybersecurity experts from various OIC nations, including Fazlan Abdullah, Acting Head of the Pre-Emptive Technology & Services Division at Cybersecurity Malaysia; Fakhri Jafarov, Head of the Malware Research Laboratory, Azerbaijan Government CERT; Askar Dyussekeyev of KZ-CERT, Kazakhstan; Prof. brahim Sogukpnar, Professor of Cybersecurity at Gebze Technical University, Turkiye, and Zareefa S. Mustafa, Manager of the Cybersecurity Department at Nigeria’s National Information Technology Development Agency. Addressing the inaugural ceremony, Chairman Pakistan Telecommunication Authority, Major General (r) Hafeez-ur- Rehman emphasised the importance of joint cyber security initiatives at the national and international levels. Highlighting the importance of promoting international cooperation and highlighting the commitment of Pakistan and PTA for a secure digital future. In his address ,Prof. Dr. M. Iqbal Choudhary, Coordinator General of COMSTECH, proposed an OIC Ministerial conference on cyber security which will help all OIC countries to establish an experience sharing platform to build a good defence system for Cyber space which will benefit all OIC countries and other part of the world while sharing Sharing various ongoing and future initiatives of COMSTECH, he also announced to organize two global cyber security forums in Central Asia and Africa in collaboration with Huawei and OIC-CERT, focusing on capacity building and fostering Linkages This workshop marks a significant milestone towards securing a safer digital future for OIC member countries as they unite to address the ever-evolving challenges of cybersecurity in a rapidly digitalizing world.Ask a Roman-History Professor: Were There Ever Sharks in the Colosseum?

Javon Small scored 31 points to rally West Virginia to an 86-78 overtime upset of No. 3 Gonzaga in the opening round of the Battle 4 Atlantis tournament, Wednesday in Nassau, Bahamas. The Mountaineers (4-1) trailed by 10 points early in the second half and by five in the final minute. But over the final 19 seconds of regulation, Tucker DeVries scored five straight points to send the game to overtime. In the extra session, Small scored five points and West Virginia held Gonzaga to a single field goal, which came after the outcome was decided with 19 seconds left. Amani Hansberry added a career-high 19 points and eight rebounds for West Virginia, which advances to the semifinals Thursday against another surprise first-round winner, Louisville, which stunned No. 15 Indiana. Braden Huff scored 19 points and Khalif Battle added 16 points for Gonzaga (5-1) which settles for a consolation-round game Thursday against Indiana. Nolan Hickman tallied 13 points. Ryan Nembhard delivered seven points and 12 assists for the Bulldogs. Huff put Gonzaga in position to win when he made three hook shots in the final 2:34 of regulation as the Bulldogs turned a one-point deficit into a 69-66 lead. Two free throws by Nembhard expanded the lead to 71-66 with 25 seconds left. But DeVries followed with a 3-pointer from the top of the key and then made a mid-court steal and drew a foul with 5.9 seconds left. His two free throws sent it to overtime. The Mountaineers never trailed in overtime. Sencire Harris wrapped it up with a steal and a breakaway slam that put West Virginia up 84-76 with 26 seconds left. Battle, a transfer from Arkansas, scored eight points in a span of 90 seconds late in the first half as the Bulldogs took control on their way to a 39-31 lead at the break. Gonzaga earned its biggest lead early in the second half when Graham Ike scored inside with an assist from Nembhard to make it 43-33. But West Virginia responded with a 17-2 run, fueled by Small as he hit two 3-pointers and two layups. Hansberry drained a trey and DeVries grinded for a putback layup to give the Mountaineers a 50-45 lead with 12:26 left. DeVries finished the game with 16 points and four blocks. --Field Level Media

NoneQatar tribune BerlincTypeface:> Germany has halted decisions on asylum applications from Syrian citizens following the ouster of former Syrian ruler Bashar al-Assad, a spokesman for the Office for Migration and Refugees (BAMF) told DPA on Monday. The halt applies to more than 47,000 asylum applications from Syrians in Germany in which the civil war and current political situation in Syria would be major factors in deciding whether the applicants should receive asylum or not, the BAMF spokesman said. “The BAMF takes a very close look at the individual cases, including an assessment of the situation on the ground in the country of origin,” an Interior Ministry spokesman told journalists in Berlin. The agency has the option of deferring decisions on asylum cases if the situation in an applicant’s home country is unclear, and that currently is the case in Syria, the ministry spokesman said. (DPA) Copy 10/12/2024 10

AP Sports SummaryBrief at 6:32 p.m. EST

It didn't take Syracuse first-year coach Fran Brown long to figure out the key matchup for Saturday afternoon's Atlantic Coast Conference game visiting Miami. "Syracuse has a really good quarterback," Brown said of Kyle McCord, "and Miami has a really good quarterback (Cam Ward)." With a win on Saturday, the No. 6 Hurricanes (10-1, 6-1 ACC) can clinch a berth in the league championship game against SMU. Miami is a 10 1/2-point favorite for Saturday's game. Syracuse (8-3, 4-3) has reached eight wins for just the fourth time since 2002, going 8-5 in 2010 and 2012 and 10-3 in 2018. However, the Orange haven't defeated a Top-10 team since knocking off Clemson in 2017. Miami leads the nation in scoring (44.7), and the Hurricanes will count on perfect passing conditions in Syracuse's dome. That could be huge for Ward, who leads the nation with 34 touchdown passes, ranking second in passing yards (3,774) and fourth in passing efficiency. Ward's top target is wide receiver Xavier Restrepo, who needs just 21 yards to reach 1,000 for the second straight season. Restrepo also ranks tied for seventh in the nation with 10 TD receptions. Ward has some other top targets, including 6-foot-4, 245-pound tight end Elijah Arroyo, who is a walking mismatch because of his size and speed. He leads Miami with 18.5 yards per reception. Hurricanes wide receivers Isaiah Horton and Jacolby George have combined for 12 TD passes, and Sam Brown has added two more. Each of them has more than 500 receiving yards this season. Miami's running game features battering ram Damien Martinez (739 yards, 5.5 average, eight TDs); versatile Mark Fletcher Jr. (499 yards, 5.7 average, six TDs); and game-breaking freshman Jordan Lyle (361 yards, 8.6 average, four TDs). Defensively, Miami's big-play man is safety Mishael Powell, who ranks second in the ACC with five interceptions. "He's all about winning," Miami coach Mario Cristobal said of Powell. "He's a smart, self-starting team player." On special teams, Miami kicker Andres Borregales ranks second in the ACC with 97 points. He is 52-for-52 on extra points and 15-for-16 on field goals. Meanwhile, McCord ranks No. 1 in the nation in passing yards (3,946) and tied for seventh in TD passes (26). McCord, a transfer from Ohio State, has also set Syracuse's single-season record for passing yards. In last week's 31-24 win over Connecticut, McCord passed for a career-high 470 yards. However, McCord is just 46th in the nation in passing efficiency, due in part to his high total of interceptions (12). Syracuse also has three of the top six pass-catchers in the ACC in terms of yards: tight end Oronde Gadsden II (810) and wide receivers Jackson Meeks (801) and Trebor Pena (743). Gadsden, who is from the greater Miami area, has had three straight 100-yard games. He is the son of former Miami Dolphins wide receiver Oronde Gadsden. Syracuse's run game is led by LeQuint Allen, who has rushed for 819 yards, a 4.3 average and 12 TDs. The issue for Syracuse could be its defense, which ranks 13th in the ACC in points allowed (27.8). Miami's defense is fourth (22.3). Even so, Syracuse coach Brown said he's excited about this matchup. "I heard Miami is going to come deep," Brown said of Miami fans. "It's going to be intense in the stands. It's going to be intense on the field. I think this is a game everyone wants to see." --Field Level MediaBISMARCK – North Dakota’s snowmobile official season will open Dec. 1, but several conditions must be met before the state’s 2,800 miles of snowmobile trails are open, groomed and ready for travel, the North Dakota Parks and Recreation Department said in a news release. Adequate snow cover of 4 packed inches must be on the ground to allow for trail grooming. Signs must be put in place, and to travel across wetland areas, the ice must be thick enough to support the weight of trail groomers. The public is encouraged to prepare now in order to be ready to ride when the trails have sufficient snowpack by completing this checklist: “Snowmobiling is a great way to connect to the outdoors during our winter season,” said Tony Hillig, recreation chief for North Dakota Parks and Recreation. “People can support local communities, enjoy time with family, and explore many areas of our state they may not have visited before.” The public can view updates and trail conditions through the free Snowmobile North Dakota mobile app. The app also tracks trips, current location on a trail using GPS, and offers locations of nearby amenities while allowing users to save and load itineraries. More features are available by upgrading to the pro version. In addition to the app, online trail maps and current trail conditions can be found online at snowmobileND.org. “North Dakota’s snowmobile trails offer something for everyone, from thrilling rides through open fields to scenic routes through forested areas,” said Todd Thronson, SnowmobileND executive director. “Riders are encouraged to ride responsibly, stay on designated trails, and most importantly, have fun.” North Dakota law requires youth ages 10 and older who do not have a valid driver's license or permit to take a safety certification class. The safety certification class can be taken online at any time. More information can be found on the Parks and Recreation Department website at parkrec.nd.gov.

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(Photo by Kampus Production via Pexels) By Stephen Beech Employees are suffering "techno-strain" as a result of digital systems making it difficult to switch off from work, warns a new study. Staff are experiencing mental and physical issues due to being "hyperconnected" through digital technology, according to the findings. Researchers from the University of Nottingham’s Schools of Psychology and Medicine conducted detailed interviews with employees from a variety of professions. They found that the cognitive and affective effort associated with constant connectivity and high work pace driven by the digital workplace is detrimental to employee well-being. The study is the final part of a research project exploring the "dark side effects" of digital working which include stress, overload, anxiety and fear of missing out. The results, published in the journal Frontiers in Organisational Psychology , highlight an "overarching" theme of "digital workplace technology intensity" as a result of digital workplace job demands. The research team says their findings indicate a "sense of burden" associated with working digitally which surfaced for most participants in perceptions of overload and feelings of being "overwhelmed" by the proliferation of messages, apps and meetings in the digital workplace. They say "fear of missing out" - or FOMO- on important information and contact with colleagues also contributed to stress and strain for digital workers, as did hassles encountered when using digital technologies. (Photo by Tara Winstead via Pexels) Study leader Elizabeth Marsh said: “Digital workplaces benefit both organizations and employees, for example by enabling collaborative and flexible work. "However, what we have found in our research is that there is a potential dark side to digital working, where employees can feel fatigue and strain due to being overburdened by the demands and intensity of the digital work environment. "A sense of pressure to be constantly connected and keeping up with messages can make it hard to psychologically detach from work." Fourteen employees were interviewed in detail and asked about their perceptions and experiences of digital workplace job demands and impacts to their health. Comments from interviewees included: “[It’s] just more difficult to leave it behind when it's all online and you can kind of jump on and do work at any time of the day or night.” Another participant said: “You kind of feel like you have to be there all the time. You have to be a little green light,” while another commented: “It's that pressure to respond [...] I've received an e-mail, I've gotta do this quickly because if not, someone might think “What is she doing from home?” In their analysis, the researchers explored potential underlying psychological, technological and organizational factors that may influence ways in which employees experience digital workplace job demands. The findings showed that participants' dark side experiences were particularly shaped by a pervasive and constant state of connectivity in the digital workplace, termed "hyperconnectivity." Those experiences contributed to a sense of pressure to be available and the erosion of work-life boundaries, according to the research team. (Photo by Thirdman via Pexels) They said the evidence also indicates that "hyperconnectivity" has become the norm among workers post-pandemic. PhD student Marsh said: “The findings underline the need for both researchers and professionals to identify, understand and mitigate the digital workplace job demands to protect the well-being of digital workers.” The research also makes practical suggestions for employers including helping workers improve their digital skills and empowering them to manage boundaries in the digital workplace. The team says their findings could also be used by IT departments to consider how to improve the usability and accessibility of the digital workplace, as well as reining in the proliferation of applications. Dr. Alexa Spence, Professor of Psychology, said: “This research extends the Job Demands-Resources literature by clarifying digital workplace job demands including hyperconnectivity and overload." She added: "It also contributes a novel construct of digital workplace technology intensity which adds new insight on the causes of technostress in the digital workplace. "In doing so, it highlights the potential health impacts, both mental and physical, of digital work.”