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tried to do what very few players have been able to do - dunk on . During the game against the tonight, DiVincenzo got the ball on the baseline and drove to the basket. He almost dunked on Victor Wembanyama, only for the ball to rim out. DiVincenzo laughed off the attempt, even hitting the 'Too Small' gesture on himself afterward. Donte DiVincenzo attempted a slam and was just a bit short, hit himself with a "too small"😂 Javascript is required for you to be able to read premium content. Thanks for the feedback.Elway: Remorse over passing on Allen mitigated by play of Nix
Former President Jimmy Carter has died at the age of 100. The 39th president of the United States was a Georgia peanut farmer who sought to restore trust in government when he assumed the presidency in 1977 and then built a reputation for tireless work as a humanitarian. He earned a Nobel Peace Prize in 2002. He died Sunday, more than a year after entering hospice care, at his home in Plains, Georgia. At age 52, Carter was sworn in as president on Jan. 20, 1977, after defeating President Gerald R. Ford in the 1976 general election. Carter left office on Jan. 20, 1981, following his 1980 general election loss to Ronald Reagan. Here's the latest: A somber announcement The longest-lived American president died Sunday, more than a year after entering hospice care , at his home in the small town of Plains, Georgia, where he and his wife, Rosalynn, who died at 96 in November 2023 , spent most of their lives. “Our founder, former U.S. President Jimmy Carter, passed away this afternoon in Plains, Georgia,” The Carter Center said in posting about his death on the social media platform X. It added in a statement that he died peacefully, surrounded by his family. A Southerner and a man of faith In his 1975 book “Why Not The Best,” Carter said of himself: “I am a Southerner and an American, I am a farmer, an engineer, a father and husband, a Christian, a politician and former governor, a planner, a businessman, a nuclear physicist, a naval officer, a canoeist, and among other things a lover of Bob Dylan’s songs and Dylan Thomas’s poetry.” A moderate Democrat, Carter entered the 1976 presidential race as a little-known Georgia governor with a broad smile, outspoken Baptist mores and technocratic plans reflecting his education as an engineer. After he left office and returned home to his tiny hometown of Plains in southwest Georgia, Carter regularly taught Sunday School lessons at Maranatha Baptist Church until his mobility declined. Those sessions drew visitors from around the world. Former Vice President Gore remembers Carter for life "of purpose” Former Vice President Al Gore praised Jimmy Carter for living “a life full of purpose, commitment and kindness” and for being a “lifelong role model for the entire environmental movement.” Carter, who left the White House in 1981 after a landslide defeat to Ronald Reagan. concentrated on conflict resolution, defending democracy and fighting disease in the developing world. Gore, who lost the 2000 presidential election to George W. Bush, remains a leading advocate for action to fight climate change. Both won Nobel Peace Prizes. Gore said that “it is a testament to his unyielding determination to help build a more just and peaceful world” that Carter is often “remembered equally for the work he did as President as he is for his leadership over the 42 years after he left office.” During Gore’s time in the White House, President Bill Clinton had an uneasy relationship with Carter. But Gore said he is “grateful” for “many years of friendship and collaboration” with Carter. The Associated PressNASSAU, Bahamas (AP) — Scottie Scheffler birdied every hole but the par 3s on the front nine at Albany Golf Club on Friday and finished his bogey-free round with an 8-under 64 that gave him a two-shot lead in the Hero World Challenge. Two months off did nothing to slow the world's No. 1 player. Scheffler already has eight victories this year and is in position to get another before the end of the year. Scheffler was at 13-under 131, two ahead of Akshay Bhatia (66) and Justin Thomas (67), both of whom had to save par on the 18th hole to stay in range going into the weekend. Scheffler started with a lob wedge to 2 feet for birdie and never slowed until after he went out in 29 to seize control of the holiday tournament against a 20-man field. Scheffler cooled slightly on the back nine, except it didn't feel that way to him. “Front nine, just things were going my way. Back nine, maybe not as much,” Scheffler said. “A couple shots could end up closer to the hole, a couple putts go in, just little things.” Asked if he felt any frustration he didn't take it lower — he once shot 59 at the TPC Boston during the FedEx Cup playoffs — Scheffler sounded bemused. “I think in this game I think a lot of all y’all are looking for perfection out of us,” he said. “Today I shot 8 under on the golf course, not something I hang my head about. A lot of good things out there — clean card, bogey-free, eight birdies. Overall, I think I'm pretty pleased.” Thomas felt his 67 was stress-free, particularly the way he was driving the ball. The wind laid down again, rare for the Bahamas, though it is expected to pick up on the weekend. Thomas wasn't concerned to see Scheffler get off to a hot start, especially with three par 5s on the front nine and a short par 4 that at worst leaves a flip wedge to the green. “You literally can birdie every hole as soft as the greens are,” Thomas said. “He's a great player, a great wedge player, and you have a lot of birdie holes to start. I'm honestly surprised he only shot 8 under. It's a sneaky course because if you fall asleep on some shots, you can get out of position. But if you're on and focused and really in control of everything — like these last two days with no wind — you can just make so many birdies.” Ryder Cup captain Keegan Bradley had a 67 and was four shots behind. No matter how benign the conditions, it wasn't always easy. Cameron Young, who opened with a 64 for a two-shot lead, followed with a 75 despite making five birdies. That included a double bogey on the final hole when his approach tumbled down the bank into the rocks framing the lake that goes all the way down the 18th hole. Patrick Cantlay was trying to keep pace playing alongside Scheffler, but he had three bogeys over the final seven holes and fell seven shots behind with a 71. The tournament, hosted by Tiger Woods, is unofficial but offers world ranking points to all but the bottom three players because of the small field. It's the weakest field in 25 years, but Scheffler at No. 1 gives it enough cachet. He is the first player since Woods in 2009 to start and finish a year at No. 1 in the world. And even after a layoff — giving him time to tinker with a new putting stroke — it looks like it might be a while before anyone changes that. AP golf: https://apnews.com/hub/golf
NoneReleased in February 2024 in the U.S., legendary German filmmaker Wim Wenders’ latest tour de force Perfect Days isn’t getting much discussion as being among the best of the year. That’s too bad, because this dreamy, intimate character study is as accomplished a movie as you’re likely to see in this or any year. Here are a few reasons why you should check out the movie in the waning days of 2024. It has a bizarre origin story Wenders, the shaman-like auteur whose epically beautiful Paris, Texas (1984) is among the best films of the ’80s , came to the project in as unlikely a manner as could be imagined. In 2021, Wenders was invited by the city of Tokyo to make a series of short informational films about their public toilets, which had been overhauled during the pandemic. New, high-quality public restrooms, built for the 2020 Tokyo Olympics, boasted innovative architecture and advanced technology. Wenders, an odd choice for such an endeavor in any case, went in a different direction — a feature film about a toilet cleaner, Hirayama (Kōji Yakusho), whose repetitive daily routine driving from one public toilet to the next in a rickety van forms the core of the film’s story. Far from being deadening, the tale as told by Wenders is dynamic, gorgeous, and impressionistic, with new details about Hirayama being layered in gradually rather than front-loaded — he’s a lover of ’60s and ’70s music on cassettes, a talented amateur photographer, and has a mysterious high-achieving past that lends an air of quiet tragedy and resignation to his current pursuits. The ’60s and ’70s score rocks (literally) Those cassettes set the tone — the movie takes its name from Lou Reed’s similarly-titled Perfect Day ; we also hear, played in Hirayama’s van, (Sittin’ On) The Dock of the Bay , Sunny Afternoon , Brown Eyed Girl , Feeling Good , and The House of the Rising Sun . The songs are pointedly chosen — brilliant, naturally, but just bordering on the overplayed, qualifying as arty deep cuts only in non-English-speaking countries. Hirayama’s depth, therefore, is double-sided; he is more complex than the passing observer might expect, but he is, also, ultimately a blessedly normal person reveling in his normality. When Wenders finally echoes the English-language tracks with a Japanese translation of House of the Rising Sun , sung by Sayuri Ishikawa, the point lands perfectly here in America, as the English-speaking audience feels the familiar-but-not-familiar frisson of a song you know bent just a few degrees in a new direction. Is it so strange to make a film about toilets? By the same token, is it so strange to be a toilet cleaner? Hirayama’s sister Keiko, played by Yumi Asō, is befuddled by his new station in life, but why? Isn’t a man who goes about his necessary work with a studied consistency perfectly normal, and also perfectly beautiful? It has optimism among generations True to its title, Perfect Days’ greatest strength is its quiet, wondering optimism, the sense that Hirayama is putting a loving hand out into the universe regardless of whether he receives a response. (A long-form game of tic-tac-toe, left behind on a slip of paper in a toilet he cleans, allowing Hirayama and an unseen stranger to each play half of the game, literalizes this dynamic.) Hirayama’s touching capacity to understand and empathize with the young — his assistant, Takashi (Tokio Emoto), Takashi’s sort-of-girlfriend Aya (Aoi Yamada) and Hirayama’s runaway niece, Niko (Arisa Nakano) — is further proof that this film is a gentle benediction by Wenders to a generation that too many elder filmmakers idly condemn. Even the movie’s devotion to analog technology is warm and nostalgic rather than crabby Luddite nonsense: Hirayama’s ubiquitous old-fashioned camera perfectly matches the one the teenage Niko uses just as often. Perfect Days is one of the director’s best films One comes away from the film with an overwhelming sense of Wenders’ bravery, both as a filmmaker unafraid to linger on quotidian details in the service of a complete portrait of a complex person and as a truly internationalist filmmaker. German by birth, he hasn’t made a film in his native language in nearly 20 years. Perfect Days , a Japanese-language movie, is Japan’s submission for the Oscars this year, the first time ever a film not made by a native Japanese has had that honor. Fitting, since this is a film about radical empathy. Like Paris, Texas , Perfect Days pulls off the magic trick of leaving its protagonist devastated and alone at the end of its runtime without ever seeming like a bummer. Far from it; Harry Dean Stanton, in the former film, and Yakusho, in the latter, seem expanded by their brushes with tragedy and retreat into solitude, not compacted by them. With the help of his frequent collaborator, cinematographer Franz Lustig, Wenders dapples Yakusho’s uniquely expressive face with light and shadow filtered through ancient trees in Tokyo parks, framing Hirayama as being as fundamental and as ancient as nature. Yakusho’s stunning performance Yakusho, whose previous recognition in America was limited to a supporting role in Rob Marshall’s Memoirs of a Geisha (2005), is, in his colossal dignity and acting instrument of uncommon depth, a movie star of the old school. One could easily imagine Hirayama being played by Takashi Shimura, whose performances in Akira Kurosawa’s Seven Samurai (1954) and Ikiru (1952) were so assured and real they were almost comforting, like being exposed to the air of reality within the sealed box of film fiction. But it’s unlikely even Shimura could do better than Yakusho himself, whose performance quite deservedly won the Best Actor Award at last year’s Cannes Film Festival. If you missed Perfect Days during its relatively brief theatrical run last winter, now’s the time to give it a try. Like many of Wenders’ films, its staying power creeps up on you, leaving you with a dream-reality with hazy outlines but a clearly defined heart. Perfect Days is streaming on Hulu.Why renewables growth won’t go away under Trump
LOS ANGELES, Calif., Dec. 6, 2024 (SEND2PRESS NEWSWIRE) — Scientology Network’s DOCUMENTARY SHOWCASE, the weekly series providing a platform for Independent filmmakers to air films on important social, cultural and environmental issues, presents the documentary “ Piano to Zanskar .” DOCUMENTARY SHOWCASE airs Fridays at 8 p.m. ET/PT on Scientology Network. Desmond O’Keeffe, a 65-year-old piano tuner facing retirement, accepts the challenge of a lifetime—to personally deliver a 100-year-old upright piano from London, England, to Zanskar, one of the most isolated places in the world, located high in the Himalayas. Directed by Michał Sulima and produced by Jarek Kotomski, the documentary follows Desmond and his team as they enter a world of unforgiving terrain and natural beauty. Their quest is ultimately a connection of cultures through the universal joy of music. Piano to Zanskar is the winner of multiple awards including the Grand Prize at the Banff Mountain Film Festival, the First Prize at the Kathmandu International Mountain Film Festival and Best Film at the Sheffield Adventure Film Festival. ABOUT MICHAŁ SULIMA Michał Sulima is a Warsaw-born film director and a graduate of photography from University of the Arts London. Piano to Zanskar is his Independent debut, marking an entrance into feature-length and documentary formats. ABOUT JAREK KOTOMSKI Jarek Kotomski is a graduate of photography from University of the Arts London. Piano to Zanskar is his first feature film. As the co-founder of the agency Between Friends, he has nearly 10 years of experience in the production of commercial videos and musical documentaries, including the film Scriabin in the Himalayas . In an interview with Scientology Network for DOCUMENTARY SHOWCASE, Jarek said: “The variety of Independent documentary films and inspiring stories that are featured on Documentary Showcase is quite amazing, and we’re very pleased that we can show our film to a broader audience. And especially in a multilanguage format, reaching as many people as possible.” ABOUT DOCUMENTARY SHOWCASE Fundamental to Scientology is a humanitarian mission that extends to some 200 nations with programs for human rights, human decency, literacy, morality, drug prevention and disaster relief. For this reason, the Scientology Network provides a platform for Independent filmmakers who embrace a vision of building a better world. DOCUMENTARY SHOWCASE debuts films weekly from award-winning Independent filmmakers whose goal is to improve society by raising awareness of social, cultural and environmental issues. For more information, visit Scientology.tv/docs . Scientology Network debuted on March 12, 2018, launched by David Miscavige , Chairman of the Board Religious Technology Center and ecclesiastical leader of the Scientology religion. Since then, Scientology Network has been viewed in over 240 countries and territories worldwide in 17 languages. Satisfying the curiosity of people about Scientology, the network takes viewers across six continents, spotlighting the everyday lives of Scientologists, showing the Church as a global organization and presenting its Social Betterment programs that have touched the lives of millions worldwide. The network also showcases documentaries by Independent filmmakers who represent a cross section of cultures and faiths, but share a common purpose of uplifting communities. Scientology Network’s innovative content has been recognized with more than 125 industry awards, including Tellys, Communitas and Hermes Creative Awards. Broadcast from Scientology Media Productions, the Church’s global media center in Los Angeles, Scientology Network is available on DIRECTV Channel 320, DIRECTV STREAM and AT&T U-verse and can be streamed at Scientology.tv , on mobile apps and via the Roku, Amazon Fire and Apple TV platforms. LEARN MORE: https://www.Scientology.tv https://www.scientology.tv/watch/series/inside-scientology/scientology-media-productions.html VIDEO: https://www.scientology.tv/series/documentary-showcase/piano-to-zanskar/ https://www.scientology.tv/watch/series/documentary-showcase/piano-to-zanskar/videos/an-inside-look.html https://www.scientology.tv/watch/series/documentary-showcase/piano-to-zanskar/videos/teaser.html https://www.scientology.tv/watch/series/documentary-showcase/piano-to-zanskar/videos/trailer.html IMAGE link for media: https://www.Send2Press.com/300dpi/24-1206-s2p-COS-Zanskar-300dpi.jpg Image caption: “Piano to Zanskar” Conducts a Musical Journey Across the Himalayas on Documentary Showcase. TAGS: #DocumentaryShowcase #ScientologyNetwork #PianoToZanskar NEWS SOURCE: Church of Scientology International Keywords: Religion and Churches, Piano to Zanskar, Musical Journey Across the Himalayas, Documentary Showcase, LOS ANGELES, Calif. This press release was issued on behalf of the news source (Church of Scientology International) who is solely responsibile for its accuracy, by Send2Press® Newswire . Information is believed accurate but not guaranteed. Story ID: S2P122676 APDF15TBLLI To view the original version, visit: https://www.send2press.com/wire/piano-to-zanskar-conducts-a-musical-journey-across-the-himalayas-on-documentary-showcase/ © 2024 Send2Press® Newswire, a press release distribution service, Calif., USA. Disclaimer: This press release content was not created by nor issued by the Associated Press (AP). Content below is unrelated to this news story.From Ratan Tata to Zakir Hussain to Manmohan Singh: The Legends We Lost in 2024
NASSAU – Scottie Scheffler birdied every hole but the par 3s on the front nine at Albany Golf Club on Friday and finished his bogey-free round with an 8-under 64 that gave him a two-shot lead in the Hero World Challenge. Two months off did nothing to slow the world's No. 1 player. Scheffler already has eight victories this year and is in position to get another before the end of the year. Recommended Videos Scheffler was at 13-under 131, two ahead of Akshay Bhatia (66) and Justin Thomas (67), both of whom had to save par on the 18th hole to stay in range going into the weekend. Scheffler started with a lob wedge to 2 feet for birdie and never slowed until after he went out in 29 to seize control of the holiday tournament against a 20-man field. Scheffler cooled slightly on the back nine, except it didn't feel that way to him. “Front nine, just things were going my way. Back nine, maybe not as much,” Scheffler said. “A couple shots could end up closer to the hole, a couple putts go in, just little things.” Asked if he felt any frustration he didn't take it lower — he once shot 59 at the TPC Boston during the FedEx Cup playoffs — Scheffler sounded bemused. “I think in this game I think a lot of all y’all are looking for perfection out of us,” he said. “Today I shot 8 under on the golf course, not something I hang my head about. A lot of good things out there — clean card, bogey-free, eight birdies. Overall, I think I'm pretty pleased.” Thomas felt his 67 was stress-free, particularly the way he was driving the ball. The wind laid down again, rare for the Bahamas, though it is expected to pick up on the weekend. Thomas wasn't concerned to see Scheffler get off to a hot start, especially with three par 5s on the front nine and a short par 4 that at worst leaves a flip wedge to the green. “You literally can birdie every hole as soft as the greens are,” Thomas said. “He's a great player, a great wedge player, and you have a lot of birdie holes to start. I'm honestly surprised he only shot 8 under. It's a sneaky course because if you fall asleep on some shots, you can get out of position. But if you're on and focused and really in control of everything — like these last two days with no wind — you can just make so many birdies.” Ryder Cup captain Keegan Bradley had a 67 and was four shots behind. No matter how benign the conditions, it wasn't always easy. Cameron Young, who opened with a 64 for a two-shot lead, followed with a 75 despite making five birdies. That included a double bogey on the final hole when his approach tumbled down the bank into the rocks framing the lake that goes all the way down the 18th hole. Patrick Cantlay was trying to keep pace playing alongside Scheffler, but he had three bogeys over the final seven holes and fell seven shots behind with a 71. The tournament, hosted by Tiger Woods, is unofficial but offers world ranking points to all but the bottom three players because of the small field. It's the weakest field in 25 years, but Scheffler at No. 1 gives it enough cachet. He is the first player since Woods in 2009 to start and finish a year at No. 1 in the world. And even after a layoff — giving him time to tinker with a new putting stroke — it looks like it might be a while before anyone changes that. ___ AP golf: https://apnews.com/hub/golf
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Reality TV personalities and tourist photoshoots: Outside Mar-a-Lago with Trump’s new fan club
